Violinist David Le Page explains how he found the connections between Rameau and Radiohead, Schubert and The Smiths through arrangements for Orchestra of the Swan's new album Timelapse
"On Timelapse I have ‘reimagined’ well-known songs by David Bowie/Brian Eno and The Smiths. The process I have used is different from working out a carbon copy arrangement or a cover version. The Bowie/Eno song Heroes, in its original form, is a driven, yearning and almost uncomfortably layered slice of pop/rock; euphoric and poetic in equal measures. I wanted to preserve the ‘feel’ of course but in my version I have substantially slowed everything down so that aspects of the music can be examined in an entirely different...
"Chloë Sevigny has carved out a wildly impressive career in the world of film. While she’s appeared in films such as Kids, David Fincher’s Zodiac and The Brown Bunny, it is music that has played an equally special part in her life. Sevigny got her first break as an actor as an adolescent when she appeared in iconic music videos for Sonic Youth and The Lemonheads but, even with that early influence, it has always been The Smiths that have held an unbreakable place in her heart."
They were always something of a conundrum to me. An indie outfit from Blackburn called Bradford, who at the time the North West of England showed the way with the late ‘80s Madchester scene, didn’t…
Back to questionable right-wing sentiments though, and I have to ask about your old pal Morrissey. I imagine it was quite a rush initially to get that plug from him though, in turn offering a tour support.
Ian: “Yes, we played Wolverhampton Civic Hall, his first solo gig, where we first met him, becoming friends. He’d come round my house quite a lot, send postcards, ring me on a fairly regular basis, and yeah … a really fantastic, highly intelligent icon.
“Recently, I think he’s fallen off the perch a little, perhaps, but in a way, he’s doing what he’s always done – for good or ill, speaking his mind, I suppose.”
We’ve had this again recently, John Lydon photographed backing...
The 1980s pop superstar talks about backstage antics at the BBC, being cornered by Bob Geldof at Heathrow, and those notorious outfits
The article is gated - so reproduced in full below:
It’s 11.30am or thereabouts on Monday, so it’s time for Nik Kershaw to get out the wine. “We were drinking this,” the musician is saying, hefting into laptop-screen view a bottle of Gevrey-Chambertin.
It just so happens that the 1980s pop star, responsible for retro-radio staples Wouldn’t It Be Good, I Won’t Let the Sun Go Down on Me and The Riddle, has to hand a bottle of the same red wine he enjoyed one fateful Sunday at Elton John’s Windsor estate. (Probably not the same pricey vintage, he points out, but you get the picture.)
In late 1984, the year of his chart breakthrough, Kershaw – now a well-preserved 62 years old...
Matt Berninger webchat: your questions answered on Morrissey, Taylor Swift and infinite creativity.
"I want my daughter to listen to the Smiths.
I don't want her to pay attention to what Morrissey says now.
Hi Matt, we are about the same age, with many of the same formative influences. The reception of all art changes over time, but I’m wondering how you reconcile your love of the Smiths with Morrissey’s recent political dalliances. Of course, I want to trust the art rather than artist, but sometimes it’s not easy. Your thoughts on the issue would be greatly appreciated!
I'm really glad somebody asked me. I brought up Morrissey and the Smiths so many times to journalists over the past few years because I'm interested to talk about that, and so often it never makes it into the interview because it's just such tricky territory, right? Because Morrissey was one of the voices, writers, performers that made...