Other People/Bands

Other People/Bands

Far Out: "How The Smiths changed Chloë Sevigny’s life" (December 19, 2020)

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By Joe Taysom.

Excerpt:

"Chloë Sevigny has carved out a wildly impressive career in the world of film. While she’s appeared in films such as Kids, David Fincher’s Zodiac and The Brown Bunny, it is music that has played an equally special part in her life. Sevigny got her first break as an actor as an adolescent when she appeared in iconic music videos for Sonic Youth and The Lemonheads but, even with that early influence, it has always been The Smiths that have held an unbreakable place in her heart."


Subsequently tweeted by 'officialmoz' Twitter & posted on FB - December 21, 2020.
Regards,
FWD.


Related item:

The Guardian: "The Avalanches' teenage obsessions: 'I cried hearing Strawberry Fields Forever'" - Smiths/Morrissey mentions (December 2, 2020)

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Bradford Interview with some Moz content

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and a new Album early 2021


Excerpt:

Back to questionable right-wing sentiments though, and I have to ask about your old pal Morrissey. I imagine it was quite a rush initially to get that plug from him though, in turn offering a tour support.

Ian: “Yes, we played Wolverhampton Civic Hall, his first solo gig, where we first met him, becoming friends. He’d come round my house quite a lot, send postcards, ring me on a fairly regular basis, and yeah … a really fantastic, highly intelligent icon.

“Recently, I think he’s fallen off the perch a little, perhaps, but in a way, he’s doing what he’s always done – for good or ill, speaking his mind, I suppose.”

We’ve had this again recently, John Lydon photographed backing...

The Telegraph: "Nik Kershaw interview: ‘The Smiths hated me – we had stare-offs on Top of the Pops’" (October 15, 2020)

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The 1980s pop superstar talks about backstage antics at the BBC, being cornered by Bob Geldof at Heathrow, and those notorious outfits.

The article is gated - so reproduced in full below:
It’s 11.30am or thereabouts on Monday, so it’s time for Nik Kershaw to get out the wine. “We were drinking this,” the musician is saying, hefting into laptop-screen view a bottle of Gevrey-Chambertin.

It just so happens that the 1980s pop star, responsible for retro-radio staples Wouldn’t It Be Good, I Won’t Let the Sun Go Down on Me and The Riddle, has to hand a bottle of the same red wine he enjoyed one fateful Sunday at Elton John’s Windsor estate. (Probably not the same pricey vintage, he points out, but you get the picture.)

In late 1984, the year of his chart breakthrough, Kershaw – now a well-preserved 62 years old...

The Guardian: "Matt Berninger webchat: your questions answered on Morrissey, Taylor Swift and infinite creativity" (October 13, 2020)

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The Guardian - October 13, 2020.
Laura Snapes.

Matt Berninger webchat: your questions answered on Morrissey, Taylor Swift and infinite creativity.

"I want my daughter to listen to the Smiths.
I don't want her to pay attention to what Morrissey says now.


djdazz asks:

Hi Matt, we are about the same age, with many of the same formative influences. The reception of all art changes over time, but I’m wondering how you reconcile your love of the Smiths with Morrissey’s recent political dalliances. Of course, I want to trust the art rather than artist, but sometimes it’s not easy. Your thoughts on the issue would be greatly appreciated!

Matt:

I'm really glad somebody asked me. I brought up Morrissey and the Smiths so many times to journalists over the past few years because I'm interested to talk about that, and so often it never makes it into the interview because it's just such tricky territory, right? Because Morrissey was one of the voices, writers, performers that made...

More Sparks on Morrissey (new interview video)

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Interviewer asks about Moz around minute 26.

Noel Gallagher on Smiths for Sirius Radio Show

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Noel said this before playing "How Soon Is Now", "When bands try to cover other bands..Two people that you should never try to cover are Morrissey and John Lydon. Because they are so original in everything...you know Johnny was such a wizard on the guitar...the way that he plays the guitar is not derived from anything I could think about back in those days. The Smiths were on a different level, they still are. Every time I listen to The Smiths it's just lyrically and musically is just f*%&king unreachable for me."

I agree that it was the marriage of the music and lyrics that solidified the band as the best. Lot's of groups have amazing songs, but do they have both? Link for On Demand if you have Sirius

Matt Berninger (The National) on The Queen is Dead

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matt of the national grows up listening to queen is dead

https://pitchfork.com/features/podcast/the-national-matt-berninger-explains-his-biggest-influences/

Excerpt:

...Jump to high school, and my sister joined a Columbia record house or something like that. It was great, it was a lot of music for really cheap. And my sister brought home—I remember in that first batch—she had The Queen Is Dead, she had Under a Blood Red Sky, by U2.

SS: The live one?

MB: Yeah, the live one. I think she also had Violent Femmes. And so I remember it wasn’t until I was like a sophomore or something that I then heard Violent Femmes and then I heard The Queen Is Dead.

When I was riding around on a golf cart, picking up—I worked at a driving range. And so I worked the front, you know, I washed the balls. I worked at the front counter, I worked at the candy desk, I fixed the video game. This was right down the road from where I lived in Miamitown, Ohio...

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