Morrissey-solo

Unofficial site features news, tour dates, information and fan forums focusing on the world of Morrissey and The Smiths

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On SER's Facebook

"Dick Gregory, America's last hope, dies, aged 84.
He knew how all aspects of the human condition connect to politics.
He was a man of thought and a man of action, when most of us cannot manage to be just one of either. He worked breathlessly - work, words, deeds. He demanded for all what was snatched by the few. He disturbed the White House, and he was too quick for the American print media. They will be pleased that he now ceases to be amongst us ... as we are left with earth-threatening Trump, who will race into war in search of peace."

Morrissey
20 August 2017
Switzerland.

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H Nancy writes:

I have heard many, many cover versions of There is a Light That Never Goes Out, but this is one, of only a few, that I think merits the attention of fans.

Saturday Deluxe / 19 August 2017 - Super Deluxe Edition

Mastering work on the new "The Queen Is Dead" was finally revealed to Super Deluxe Edition from Warner.

There were people wondering whether the set was in fact, remastered, since Johnny Marr suggested his remasters a few years ago, were fairly definitive.

Super Deluxe Edition got word from Warner that Bill Inglot mastered the new set.

Bill Inglot has done a number of mastering projects for The Smiths/Morrissey over the years.
Super Deluxe claims that Morrissey and Marr have approved the audio.


Peter Hook on "Morrissey"-Q&A-Substance: Inside New Order-book tour-JCCSF-Feb 4, 2017-Joy Division - YouTube
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Stories From the Seat - HOME

Date & Time
Thu 21 Sep 2017, 19.30

BBC’s Mark Radcliffe hosts an evening with drummer Pete Marshall (Paul Heaton & Jacqui Abbott) and Manchester greats Mike Joyce (The Smiths) and Stephen Morris (Joy Division/New Order) as they play and discuss their individual approaches to drumming and their contributions to some of Manchester’s best-known songs.



Should be enjoyable in a train wreck sort of way...
The Smiths and Blur producer Stephen Street talks Hackney, Morrissey and guitar music’s ‘last hurrah’ - The Hackney Gazette.
By Sam Gelder.

Excerpt:
"He hasn’t spoken to Morrissey for “four or five years”, since they met-up during the re-mastering of Viva Hate. Street was surprised to see him endorsing Brexit and Nigel Farage in recent interviews.

“I must admit I’m a little bit shocked by some of the things he’s said,” Street continued. “It could be for shock value – he did like a headline or two. It could be down to the fact he doesn’t spend much time in this country and he’s a bit out of touch with the general feeling."


Street discusses aspects of working with The Smiths & Blur.
Regards,
FWD.
It’s Been 30 Years Since The Smiths Broke Up, And Fans Still Love Them - The Federalist.
By Christopher J. Scalia.

The indie-rock band's greatness extended beyond controversial moroseness into an abundance of humor, literary inspiration, and musicality in its songs.

Excerpt:
"As U2 continues its tour celebrating the 1987 release of “The Joshua Tree,” I can’t help but think that lovers of 80s rock should be turning their attention to another significant 30th anniversary: when four lads from Northern England—one of the most important and beloved bands of their generation, led by a remarkable songwriting duo—decided to go their separate ways without even the courtesy of a farewell tour.
I’m referring, of course, to The Smiths, who dissolved gradually over the summer of 1987, making it official in early August."


Regards,
FWD.
Quit Your Jingle-Jangle: The Smiths’ Strangeways Here We Come Revisited - The Quietus
August 15th, 2017.
By Ben Hewitt.

The Smiths’ last studio album was their most ambitious, adventurous and experimental, too. Thirty years on, Ben Hewitt looks back on the forward-thinking record that could have been the start of a new chapter, rather than a full-stop.

Excerpt:
"It’s the unexpected flourishes that make Strangeways so strong, elevating those songs which might not otherwise have stood out – the bitter barbs and understated semi-acoustic strum of ‘Unhappy Birthday’, for example, are given poignancy by the deep, gorgeous swoon of Marr’s harmonium. There is, in fact, only one track truly beyond redemption, and that’s ‘Girlfriend In A Coma’: the whimsical, unfunny elephant in the room, the one you heartily wish would stop trumpeting its inane jokes. One of the reasons...