Morrissey-solo

Unofficial site features news, tour dates, information and fan forums focusing on the world of Morrissey and The Smiths

The Smiths and Blur producer Stephen Street talks Hackney, Morrissey and guitar music’s ‘last hurrah’ - The Hackney Gazette.
By Sam Gelder.

Excerpt:
"He hasn’t spoken to Morrissey for “four or five years”, since they met-up during the re-mastering of Viva Hate. Street was surprised to see him endorsing Brexit and Nigel Farage in recent interviews.

“I must admit I’m a little bit shocked by some of the things he’s said,” Street continued. “It could be for shock value – he did like a headline or two. It could be down to the fact he doesn’t spend much time in this country and he’s a bit out of touch with the general feeling."


Street discusses aspects of working with The Smiths & Blur.
Regards,
FWD.
It’s Been 30 Years Since The Smiths Broke Up, And Fans Still Love Them - The Federalist.
By Christopher J. Scalia.

The indie-rock band's greatness extended beyond controversial moroseness into an abundance of humor, literary inspiration, and musicality in its songs.

Excerpt:
"As U2 continues its tour celebrating the 1987 release of “The Joshua Tree,” I can’t help but think that lovers of 80s rock should be turning their attention to another significant 30th anniversary: when four lads from Northern England—one of the most important and beloved bands of their generation, led by a remarkable songwriting duo—decided to go their separate ways without even the courtesy of a farewell tour.

I’m referring, of course, to The Smiths, who dissolved gradually over the summer of 1987, making it official in early August."

Regards,
FWD.
Quit Your Jingle-Jangle: The Smiths’ Strangeways Here We Come Revisited - The Quietus
August 15th, 2017.
By Ben Hewitt.

The Smiths’ last studio album was their most ambitious, adventurous and experimental, too. Thirty years on, Ben Hewitt looks back on the forward-thinking record that could have been the start of a new chapter, rather than a full-stop.

Excerpt:
"It’s the unexpected flourishes that make Strangeways so strong, elevating those songs which might not otherwise have stood out – the bitter barbs and understated semi-acoustic strum of ‘Unhappy Birthday’, for example, are given poignancy by the deep, gorgeous swoon of Marr’s harmonium. There is, in fact, only one track truly beyond redemption, and that’s ‘Girlfriend In A Coma’: the whimsical, unfunny elephant in the room, the one you heartily wish would stop trumpeting its inane jokes. One of the reasons...
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52 First Impressions with David Quantick, Series 1 Episode 3 - BBC 4 Music

This has just been on Radio 4, and there's a story about David, Brother Beyond, Morrissey, The NME, Murray Chalmers, and washing-up-liquid. Also briefly mentions the Word libel case.

Morrissey content starts around 22m 59s , and BBC sign-in may be required.
Morrissey's 8 Most Offensive Comments - Paste
By Madison Bloom.

Excerpt:

"To love Morrissey is to occasionally hate him. No pop star in history has stirred such conflicted emotions in his millions of fans based on his extra-musical relentless diatribe. By the looks of the upcoming Moz biopic England Is Mine(which is out now in the U.K. and hits U.S. theaters on Aug. 25), it seems easy to remember the former Smiths singer as the precocious Northern boy with big dreams and an even bigger vocabulary.

But while writer-director Mark Gill is keen on portraying the artist as boyish and meek Steven Patrick, the rest of us are stuck with the man known as Morrissey—the man of a million insults, a thousand enemies, and the biggest mouth in showbiz. To celebrate our love-hate relationship with The Pope Of Mope, here are eight of Moz’s most ridiculous big mouth moments."


I switched...
20 Years Ago: Morrissey Loses a Court Battle, Then Loses His Way on ‘Maladjusted’ - Diffuser
By Nick DeRiso.

Excerpt:

"Morrissey was a musician without a sound, a citizen without a country, and man outside the mainstream by the time Maladjusted arrived on Aug. 11, 1997. Beset by all sides, he’d devolve into an unhappy figure who was “devious, truculent and unreliable.”

Those were the words of Judge John Weeks, anyway, as he ruled against Morrissey in a 1996 suit over back royalties brought by his former Smiths bandmate Mike Joyce. Morrissey bristled at the characterization, to the point where his next album was basically sunk by “Sorrow Will Come in the End,” a vicious, dirge-like response to the trial.

In fact, Island Records refused to include the song in U.K. pressings, fearing a libel suit. Morrissey tried to move the...
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I'd be curious how they put together the soundtrack. If anybody goes to a Q&A and can ask Gill that, let me know what he says!


Lonely Planet Boy - New York Dolls
In My Lonely Room - Single Version (Mono) - Martha Reeves & The Vandellas
Virginia Plain - Roxy Music
Jazz Suite No. 2: VI. Waltz No. 2 - Dmitri Shostakovich
I Don't Like - George Formby
(I'm Not Your) Stepping Stone - Live From Screen On The Green, Islington, United Kingdom / 1976 - Sex Pistols
Recoil - 2007 Digital Remaster - Magazine
Je veux qu'il revienne - Françoise Hardy
Only To Other People - The Cookies
So Little Time - Diana Dors
Send Me The Pillow That You Dream On - Johnny Tillotson
Give Him A Great Big Kiss - The Shangri-Las
This Town Ain't Big Enough For Both Of Us - Sparks
Sea Diver - Mott The Hoople
Last Night Was Made For Love - Billy Fury
My Boy Lollipop - Millie Small
Come And Stay With Me - Marianne...