Scott Rodger (Maverick) leaks Morrissey information and email re: Bonfire / Miley via X (October 17, 2023)

There's been drama!

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You're misunderstanding the fundamental point of this issue. It wasn't about money,
How do you know it wasn’t about money?
it was about Capitol's right to market and promote their artist as they see fit -- a matter of particular significance to them during the lead-up to an album release.
So did Morrissey’s public announcement affect Columbia’s Cyrus campaign? And in what way?
Capitol would not have taken issue with Miley's vocals appearing uncredited on Morrissey's album,
how do you know this?
but auxillary legal factors came into play once he took it upon him to reveal this information to the public.

See: Eric Clapton's appearance on "While My Guitar Gently Weeps," Bruce Springsteen's appearance on "Street Hassle" and so on.

I’m familiar with those incidents. But different artists, different companies, different times. We don’t know how it would have played out, we can only speculate.
 
How do you know it wasn’t about money?

So did Morrissey’s public announcement affect Columbia’s Cyrus campaign? And in what way?

how do you know this?


I’m familiar with those incidents. But different artists, different companies, different times. We don’t know how it would have played out, we can only speculate.
It may seem ambiguous to you, but the emails very clearly elucidate the matter. If it was about the money, Columbia would have requested a fee from Capitol in exchange for Miley's feature on Morrissey's album. Major labels are incredibly particular about the execution of their PR campaigns, especially for flagship talent. There is a great deal of time, effort and cash dedicated to organizing these promotional strategies and the labels take care to ensure that the waters remain as unmuddied as possible before these campaigns go into production. Morrissey's public announcement may or may not have affected Miley's campaign, but that's irrelevant. The issue is in Columbia's belief that no parallel campaigns should clash with or detract from the specificity of their approach.

And you're wrong about "different artists, different companies, different times." The business principles have mainly stayed the same. Artists can generally do what they like --pop into the studio and jam with friends, contribute riffs, sing some backing vocals --but the legal factors come into play when their likeness is used in the promotion of said product. Morrissey's cynical insistence on using Miley to "help him 700%" being a perfect case in point. If he had never said/confirmed anything about her contribution until some time after the record was released, there likely wouldn't have been a problem whatsoever.
 
Wow two cult members the EXACT kind of people who eat any shit Moz gives them. They are the people the fans who got Moz where he is , they enable not stick up for hin
The guy is an ugly moron and so is she , put your sweaty baps away darling. All her pics are the same kinda pose . Funny AF.
Scott only published them to stick up for a woman who was blamed for nothing

Who cares.
Capitol messed up the Turkey Step.
 
He was the catalyst for one of the biggest and most spectacular backfirings in quite a while, so he should resolve the situation himself, and I think he probably would as well.
On the other hand as has been pointed out, he could be thanked for bringing the state of play out into the open and catalysing new momentum.
 
It may seem ambiguous to you, but the emails very clearly elucidate the matter. If it was about the money, Columbia would have requested a fee from Capitol in exchange for Miley's feature on Morrissey's album.

Major labels are incredibly particular about the execution of their PR campaigns, especially for flagship talent. There is a great deal of time, effort and cash dedicated to organizing these promotional strategies

So as I was saying, and there you agree, it is about the money.

and the labels take care to ensure that the waters remain as unmuddied as possible before these campaigns go into production. Morrissey's public announcement may or may not have affected Miley's campaign,
I think someone mentioned that the record sold well (?) if true, it seems his announcements didn’t have much of a impact on it
but that's irrelevant. The issue is in Columbia's belief that no parallel campaigns should clash with or detract from the specificity of their approach.

And you're wrong about "different artists, different companies, different times." The business principles have mainly stayed the same. Artists can generally do what they like --pop into the studio and jam with friends, contribute riffs, sing some backing vocals --but the legal factors come into play when their likeness is used in the promotion of said product. Morrissey's cynical insistence on using Miley to "help him 700%" being a perfect case in point. If he had never said/confirmed anything about her contribution until some time after the record was released, there likely wouldn't have been a problem whatsoever.

Yes we can, as you have above, speculate on the situation.
 
interesting that Ron Perry seems to say that he had previously already told Capital that no outside features of MC would be cleared right now (this implies that they may be open to this at a later date)

Surely at this point it would have been sensible for Scott Rodger to ask Ron Perry "at what point in the future will you be open to clearing this so we can release Ms album"


it seems Scott and Capital ignored that and sent the album to production anyway (at wasted cost)

M should approach Columbia for a deal with a view to buying out Capitol releasing both BOT(with MS vocal) and his latest recording. As BOT has already been recorded Columbia could just pay their advance for BOT direct to Capitol and Moz can receive an advance for his newer album (and everyone is happy)

That's a juicy option. It does seem as though whoever was supposed to be in Morrissey's corner missed a trick, with the gaps in the story.
 
So as I was saying, and there you agree, it is about the money.


I think someone mentioned that the record sold well (?) if true, it seems his announcements didn’t have much of a impact on it


Yes we can, as you have above, speculate on the situation.
As I said, a label doesn't want another press campaign interfering with theirs. Clogging headlines, creating brand fatigue -- I'm not saying that any of this actually matters, but it's absolutely the opinion of those working on the promotional front for mainstream artists.

As far as agreeing with your pedantic highlighting of the word "cash"...uh no, you still seem determined to generally misinterpret the issue here.
 
You're misunderstanding the fundamental point of this issue. It wasn't about money, it was about Capitol's right to market and promote their artist as they see fit -- a matter of particular significance to them during the lead-up to an album release. Capitol would not have taken issue with Miley's vocals appearing uncredited on Morrissey's album, but auxillary legal factors came into play once he took it upon him to reveal this information to the public.

See: Eric Clapton's appearance on "While My Guitar Gently Weeps," Bruce Springsteen's appearance on "Street Hassle" and so on.
Maybe those legal factors weren't explained properly to Morrissey, which he deserved, since they were about to have severe ramifications on his recording fate and preferences.
 
Maybe those legal factors weren't explained properly to Morrissey, which he deserved, since they were about to have severe ramifications on his recording fate and preferences.
Ask yourself what's the likelier scenario: a major label walking themselves into an expensive, needlessly complicated legal situation or Morrissey finding himself incapable of doing what he's told.
 
Ask yourself what's the likelier scenario: a major label walking themselves into an expensive, needlessly complicated legal situation or Morrissey finding himself incapable of doing what he's told.
This is a trick question. I'm not falling for this ;)
 
Maybe those legal factors weren't explained properly to Morrissey, which he deserved, since they were about to have severe ramifications on his recording fate and preferences.
In fact, from the only email of his we've seen about this, he appears completely unaware of any issue with Columbia. It seems he had only been told (at that point anyway) that Miley's manager didn't want her credited/named.
 
Morrissey is very stubborn when he wants something - but I very much doubt he would come up with a strategy that leans into the far right racist scandal that has been causing him extreme distress & has nearly ended his career.

And I don't believe he'd think the way to change Miley's management's mind is to post controversial things that imply he wants non-white immigration to the West stopped & that he thinks non-binary artist Sam Smith is a Satanist.

That was so wildly ridiculous they had to rush to change the implication of it.

I think Donnie's getting some kind of benefit out of this chaos.

And SER is daft enough to think it vindicates his Uncle.
 
Morrissey is very stubborn when he wants something -
Why do you keep posting in detail about right-wing notions now, on threads dealing with unrelated topics? Malarkey in name only?!
 
Why do you keep posting in detail about right-wing notions now, on threads dealing with unrelated topics? Malarkey in name only?!
She’s insane, obsessed with idolising and infantilising Morrissey to an unhealthy degree, and she loves the attention. She poisons every thread with her opinion-as-fact bullshit ideas, plots and theories.
She’s one of a handful of people on here who seem to have appointed themselves as Morrissey’s surrogate mother, while also wanting to bang him. It’s like some incestuous, psychotic, acid-inspired, underground art-house soft porn film. And I hate that kind of porn.
 
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Why do you keep posting in detail about right-wing notions now, on threads dealing with unrelated topics? Malarkey in name only?!

I'm posting in detail about Central's posts losing Morrissey the Capitol deal - which is related to Scott posting that Central's post lost Morrissey the Capitol deal.
 
What *is( clear from the email. Columbia said "no" at least twice. Morrissey knew this. He went ahead and promoted Miley's involvement anyway, did not seem to care about Columbia's denial, did want to promote Miley's involvement for commercial, culture war (and I suppose) artistic reasons, and deeply cared/cares about Miley's own feelings about her inclusion/promotion/ And then he blamed Capitol for withholding the album, while disclosing *none* of those particulars
It's not clear at all that Morrissey knew this. At least not at the point when he commented on Miley's participation.
The email only shows he knew her manager has said she wasn't to be credited.
And, iirc, the Columbia executive email is from after Morrissey mentioned Miley's involvement.
 
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Intrigued about the nitpicking.
Are you not doing some too?

Central's different now, changed to what you were looking for, having largely ditched 'hot button' references. You were instrumental in pointing out how the old approach could be problematic, and presumably leading to a rethink and more on- key messages. So well done you!

Now please sit back and enjoy the shows! :brows: 🏵️ :tiphat:
 
The way some people have been going on about this is fecking retarded.
Who cares
I agree, it doesn't make M look great. He seems very needy and desperate but most of us
guessed he only wanted MC to shift units. Same with the people on California Son
He used to be more about art , than he is these days and he would have ran a mile from the likes
of Greenday members and MC. its a shame he has gone down that road
The trouble with M is, he wants to prove a point the whole time, he is so keen to show people in the UK , that he is better than them and has American fame (which in his mind, is true stardom ) that he ends up making some bad moves but what the feckever.
 
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