Yes, this was a great era for B-sides but it's a crying shame that Moz unnecessarily chose loads of duff songs for the album.
It could've been (at least close to) his best album ever if he'd selected the 10 best songs from the Quarry sessions (I'd argue that 4 or 5 of the 10 best songs ended up as b-sides).
The Never Played Symphonies is an absolute beauty, It's Hard to Walk Tall is a great piece of upbeat guitar pop with a classic confrontational Moz lyric; he attacks from the back, he scares with a stare, he can kill standing still; brilliant! Would've been a huge radio hit (unlike 3 of the 4 Quarry singles).
Daddy's Voice has humour (unlike most modern-day Moz songs), Friday Mourning has a gorgeous piano 'hook' and a lovely ad--libbed outro.
Oh well, will he ever learn?
It could've been (at least close to) his best album ever if he'd selected the 10 best songs from the Quarry sessions (I'd argue that 4 or 5 of the 10 best songs ended up as b-sides).
The Never Played Symphonies is an absolute beauty, It's Hard to Walk Tall is a great piece of upbeat guitar pop with a classic confrontational Moz lyric; he attacks from the back, he scares with a stare, he can kill standing still; brilliant! Would've been a huge radio hit (unlike 3 of the 4 Quarry singles).
Daddy's Voice has humour (unlike most modern-day Moz songs), Friday Mourning has a gorgeous piano 'hook' and a lovely ad--libbed outro.
Oh well, will he ever learn?