Cannot imagine reaching to play Neal Cassady Drops Dead or Forgive Someone more than once. Sheesh.
Im sick to death to those who compare every song and every album morrissey releases to something related to the smiths, the smiths ends in 1987, and I don't want every morrissey album sounds like the queen is dead, this could be so boring
I've never heard anyone here suggest any such thing. You are confusing a desire that he maintain that quality with your belief people mean recreate the sound slavishly.
As a few of us have mentioned World Peace is virtually tune less. Not tuneless, tune less. The best intro appears on Staircase, the best chorus appears in Bullfighter, the best theme is on Istanbul, and the best lyric is on I'm Not A Man, which, featuring as it does the moment KY was told she was off the tour, also has the best outro.
Not one of those tracks are fully realised.
I don't mind Forgive Someone but Neal Cassady Drops Dead is just about the worst thing he has ever released, IMO. The best we can hope for is that it will be Roy's Keened off the 2029 definitive remastered version.
In the UK the vinyl is delayed until July 21st.
The hold up is also affecting those who ordered the big bundle boxes.
Nice one.
Disagree. Staircase is a masterpiece. A catchy, danceable, pop tune with great lyrics, music, and chorus.
Halfway through the first listen and I can't understand the love for this album. It's different, yes, it's bold musically and lyrically, yes, but... where are the melodies? Where are the actual songs? I'm just hearing beat poetry with dramatic instrumental backing. Cannot imagine reaching to play Neal Cassady Drops Dead or Forgive Someone more than once. Sheesh.
Sounds good to me....cant wait to listen to it.....
Cheers Moz
Interesting. Forgive Someone is probably my favourite song. The vocal melody in the verses are SO Patti Smith! It's rather beautiful.
Seconded for Forgive Someone. What has me scratching my head is that people seem to feel that I Am Not A Man is lyrically a good song. I think its horrible writing.
The words are the worst thing about this record : senile in Seville, barking in Barcelona, vicious in Valenica, gored in Gerona, and tedium in Torremolinos,
Here you go!
I like it because it distills the Morrissey public persona quite nicely. Plus it is quite Cameron Macintosh in its bombast, which isn't always a complete disaster. Just nearly always.
Yeah, there are some poor lines in it, but on an album full of poor lines it stands up quite well.
Here you go!