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Shelagh Delaney (25 November 1938 – 20 November 2011) was an English dramatist and screenwriter, best known for her debut work, ''A Taste of Honey'' (1958).<ref name="wshelagh_delaney"/>
Shelagh Delaney (25 November 1938 – 20 November 2011) was an English dramatist and screenwriter, best known for her debut work, ''A Taste of Honey'' (1958).<ref name="wshelagh_delaney"/>


Cover star: [[Girlfriend In A Coma (single) | Girlfriend In A Coma]], [[Louder Than Bombs]].
== Relevance ==


A clip from [http://www.youtube.com/watch?v=iXmMsOBrx9g Shelagh Delaney's Salford] was used as one of the tour intermission videos in 2008 and 2009<ref name="ms20100522"/>. Following the news of Shelagh's death in Nov. 2011, Morrissey featured her image as a backdrop on tour.<ref name="ms20111122escondido"/>
* Cover star: [[Girlfriend In A Coma (single) | Girlfriend In A Coma]], [[Louder Than Bombs]].


Shelagh Delaney is listed as a one of the "Heroes" in the Morrissey questionnaire culled from Meat Is Murder Tour Programme.<ref name="fismithsvoice"/>
* A clip from [http://www.youtube.com/watch?v=iXmMsOBrx9g Shelagh Delaney's Salford] was used as one of the tour intermission videos in 2008 and 2009<ref name="ms20100522"/>. Following the news of Shelagh's death in Nov. 2011, Morrissey featured her image as a backdrop on tour.<ref name="ms20111122escondido"/>


From an interview with Morrissey by Ian Pye in NME, June 7, 1986 - "Some Mothers Do 'Ave 'Em":<ref name="finme19860607"/>
* Shelagh Delaney is listed as a one of the "Heroes" in the Morrissey questionnaire culled from the 1985 ''Meat Is Murder'' Tour Programme.<ref name="fismithsvoice"/>
 
* From an interview with Morrissey by Ian Pye in NME, June 7, 1986 - "Some Mothers Do 'Ave 'Em":<ref name="finme19860607"/>
<blockquote>
<blockquote>
What he objects to are those smug anal retentives who think they've found you out and denounce your entire canon of work as tainted by theft. "Obviously most people who write do borrow from other sources," he contends. "They steal from other's clothes lines. I mentioned the line 'I dreamt about you last night and I fell out of bed twice' in 'Reel Around The Fountain,' which comes directly from ''A Taste Of Honey'', and to this day I'm whipped persistently for the use of that line.<br/>
What he objects to are those smug anal retentives who think they've found you out and denounce your entire canon of work as tainted by theft. "Obviously most people who write do borrow from other sources," he contends. "They steal from other's clothes lines. I mentioned the line 'I dreamt about you last night and I fell out of bed twice' in 'Reel Around The Fountain,' which comes directly from ''A Taste Of Honey'', and to this day I'm whipped persistently for the use of that line.<br/>
<br/>
<br/>
"I've never made any secret of the fact that at least 50 percent of my reason for writing can be blamed on Shelagh Delaney who wrote A Taste Of Honey. And 'This Night Has Opened My Eyes' is a ''Taste Of Honey'' song - putting the entire play to words. But I have never in my life made any secrets of my reference points.<br/>
"I've never made any secret of the fact that at least 50 percent of my reason for writing can be blamed on Shelagh Delaney who wrote ''A Taste Of Honey''. And 'This Night Has Opened My Eyes' is a ''Taste Of Honey'' song - putting the entire play to words. But I have never in my life made any secrets of my reference points.<br/>
<br/>
<br/>
"Just because there's one line that's a direct lift people will now say to me that 'Reel Around The Fountain' is worthless, ignoring the rest of it which almost certainly comes from my brain. Oscar Wilde... I've found so many instances where he has directly lifted from others. To me that's fine. But because I'm so serious about writing, people are so serious about tripping me up."
"Just because there's one line that's a direct lift people will now say to me that 'Reel Around The Fountain' is worthless, ignoring the rest of it which almost certainly comes from my brain. Oscar Wilde... I've found so many instances where he has directly lifted from others. To me that's fine. But because I'm so serious about writing, people are so serious about tripping me up."
</blockquote>
</blockquote>


From an interview with Morrissey by Mike Allen in Graffiti, Oct. 1986 - "Morrissey Makes Six Points":<ref name="figrafitti"/>
* From an interview with Morrissey by Mike Allen in Graffiti, Oct. 1986 - "Morrissey Makes Six Points":<ref name="figrafitti"/>
<blockquote>
<blockquote>
'''Are the Smiths literate?'''<br/>
'''Are the Smiths literate?'''<br/>
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</blockquote>
</blockquote>


From an interview with Morrissey by Andrew Male in Mojo, Apr. 2006 - "Happy Now?":<ref name="mapbmojo2006"/>
* From an interview with Morrissey by Andrew Male in Mojo, Apr. 2006 - "Happy Now?":<ref name="mapbmojo2006"/>
<blockquote>
<blockquote>
'''Given how much your early songs were influenced by such inspirational writers as Shelagh Delaney and Elizabeth Smart, what was the frist unfettered song you wrote, where you thought, these people have helped me but now I can fly free?'''<br/>
'''Given how much your early songs were influenced by such inspirational writers as Shelagh Delaney and Elizabeth Smart, what was the first unfettered song you wrote, where you thought, these people have helped me but now I can fly free?'''<br/>
It's a good question and it probably didn't happen until very late because a spark of me was always very, erm, unsure and that's when I think you rely on other people's ideas. I mean, I know I overdid it with Shelagh Delaney. It took me a long, long time to shed that particular one. [But] no one is ever quite as original as they think they are. I always considered the great mesh of all my influences had emerged in me as something that was (unique ''enough'').
It's a good question and it probably didn't happen until very late because a spark of me was always very, erm, unsure and that's when I think you rely on other people's ideas. I mean, I know I overdid it with Shelagh Delaney. It took me a long, long time to shed that particular one. [But] no one is ever quite as original as they think they are. I always considered the great mesh of all my influences had emerged in me as something that was (unique ''enough'').
</blockquote>
</blockquote>


Statement by Morrissey on Shelagh Delaney's death in Nov. 2011 on true-to-you.net<ref name="ttyshelaghdelaney"/><ref name="msshelaghdelaney"/>:
* Statement by Morrissey on Shelagh Delaney's death in Nov. 2011 on true-to-you.net<ref name="ttyshelaghdelaney"/><ref name="msshelaghdelaney"/>:
<blockquote>
<blockquote>
SHELAGH DELANEY<br/>
SHELAGH DELANEY<br/>
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