The Strange One
Morrissey discusses this film at length in Autobiography.
A small excerpt:
"Two feature films of nervous vitality lock in my brain and possibly poison it forever. The first is The Strange One (1957), where de Paris pathologically infects the entire population of the world with his talent for bully tactics and his persistent offensiveness. Only articulate disdain for humanity saves him, and his rein of terror at a military school in Florida is remarkable solely for lasting as long as it does – even though it seems morally inevitable that he will end up being tied to a tree. His looks and style are far more penetrating than the God-fearing toothsome goofs around him – all of whom he breaks and wounds because they pay him far too much attention (or even because they show him none). De Paris is star quality and is not short on wit, thus I cannot help thinking that the common evil of his childishly dangerous ploys should be accepted by reason of his magnificent oeuvre alone – which in itself is certainly worth having. I think so, anyway..."
The Strange One is a 1957 American film noir about students faced with an ethical dilemma in a military college in the Southern United States. It was directed by Jack Garfein, produced by Sam Spiegel, and was adapted from a novel and stage play by Calder Willingham called End as a Man. It marked the film debut of Ben Gazzara, George Peppard and Julie Wilson. Gazzara, Pat Hingle, Mark Richman and Arthur Storch reprised their roles, after starring in the stage version. The film is noteworthy, due to the entire acting and technical staff being from the Actors Studio. It focuses on the dehumanization associated with the tradition of hazing within the college and is noteworthy for its portrayal of homoerotic themes – and at least one gay character – at a time when the Hays Code prohibited such expression.