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Siouxsie Sioux: Difference between revisions
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[[File:Siouxsie-sioux-thumb.jpg | 200px | right | thumb |Siouxsie Sioux]] | [[File:Siouxsie-sioux-thumb.jpg | 200px | right | thumb |Siouxsie Sioux]] | ||
==Relevance== | ==Relevance== | ||
Morrissey dedicates several paragraphs to his meeting of Siouxsie and the subsequent recording of [[Mention::Interlude]]: | Morrissey dedicates several paragraphs in [[Mention::Autobiography]] to his meeting of Siouxsie and the subsequent recording of [[Mention::Interlude]]: | ||
<blockquote>Siouxsie chooses Timi Yuro’s Interlude, and she pulls up at Hook End Manor recording studio in a black Mercedes. She is carrying her own microphone and she wants to get on with it minus any familiar chit-chat. In the event, she is a seasoned professional of exact run-throughs and topnotch precision. There is only one crack in the alabaster as she listens to her final take and softly asks me, ‘Are you sure it’s OK?’ It is the solitary moment when the Soviet Statue breathes. One can suddenly imagine real blood in Siouxsie’s veins – and yet, perhaps not. | <blockquote>Siouxsie chooses Timi Yuro’s Interlude, and she pulls up at Hook End Manor recording studio in a black Mercedes. She is carrying her own microphone and she wants to get on with it minus any familiar chit-chat. In the event, she is a seasoned professional of exact run-throughs and topnotch precision. There is only one crack in the alabaster as she listens to her final take and softly asks me, ‘Are you sure it’s OK?’ It is the solitary moment when the Soviet Statue breathes. One can suddenly imagine real blood in Siouxsie’s veins – and yet, perhaps not. | ||
Siouxsie’s manager calls me a few days later. ‘Sioux says I’m too soft on you,’ he begins – inexplicably. | Siouxsie’s manager calls me a few days later. ‘Sioux says I’m too soft on you,’ he begins – inexplicably. | ||