Joe Dallesandro: Difference between revisions

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[[Category:Influences on Morrissey - Film and Television]]
[[Category:Influences on Morrissey - Film and Television]]
[[Category:Cover Star]]
[[Category:Cover Star]]
[[File:Joe Dallesandro.jpg | 200px | right | thumb |Joe Dallesandro]]
==Relevance==
==Relevance==
Marr in [[Mention::Set The Boy Free]] recalls:
Marr in [[Mention::Set The Boy Free]] recalls:
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“The first night in LA was attended by some celebrities, and Joe Dallesandro, the cover star on our first album, came to meet us backstage. The Smiths’ shows in L.A. were always an event.”
“The first night in LA was attended by some celebrities, and Joe Dallesandro, the cover star on our first album, came to meet us backstage. The Smiths’ shows in L.A. were always an event.”
</blockquote>
</blockquote>
==Image Gallery==
<gallery perrow="6">
File:Joe dallesandro flesh 1969.jpg | Uncropped version of photo used for [[The Smiths (album)]] sleeve ([https://www.independent.co.uk/arts-entertainment/music/features/the-smiths-debut-album-morrissey-b2496223.html source])
</gallery>
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Latest revision as of 10:12, 17 February 2024

Joe Dallesandro

Relevance

Marr in Set The Boy Free recalls:

“The first night in LA was attended by some celebrities, and Joe Dallesandro, the cover star on our first album, came to meet us backstage. The Smiths’ shows in L.A. were always an event.”

Image Gallery

Mentioned In

Wikipedia Information

300px-Joe_Dallesandro_13.jpg

Joseph Angelo D'Allesandro III (born December 31, 1948) is an American actor and Warhol superstar. He was a sex symbol of gay subculture in the 1960s and 1970s, and of several American underground films before going mainstream.Dallesandro starred in the 1968 film Flesh as a male prostitute. The film was produced by Andy Warhol. In 1970, Rolling Stone declared Dallesandro's second starring vehicle, Trash, the "Best Film of the Year", making him a star of the youth culture, sexual revolution, and subcultural New York City art collective of the 1970s. Dallesandro also starred in 1972's Heat, another Warhol film that was conceived as a parody of the film Sunset Boulevard. He later lived for several years in Europe, where he starred in both genre and art films. Having returned to the United States, he also crossed over into mainstream roles such as mobster Lucky Luciano in the film The Cotton Club.


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