ESQ: I have to ask you an aside question, since you mentioned hand-held camera work. You directed that old 1994 Morrissey video for "Tomorrow", right?
Snyder: I sure did.
ESQ: It's one of the great one-take videos.
Zack Snyder: I appreciate that. And there is a cut version of that video too. By the way, when I made that video I remember, I think it was Vanity Fair wrote an article about a Brian De Palma movie, where there was a big super long one-take. And they were saying that the Morrissey video I did was cooler than that. And I remember at the time thinking that that was so cool that I was referenced in relationship to this director's movie who I really admired because I was literally two years out of film school when I shot that video.
ESQ: Did you get along with Morrissey? Did you keep in touch with him?
Snyder: I had a great experience. I loved working with him. He had decided that I was going to shoot all of his videos from then on. But then he ghosted me after that. I don't know what happened.
ESQ: Oh no. Morrissey ghosting the director of his best video seems like a very Morrissey thing to do.
Snyder: Sadly. That was it. It was a sad thing. Because I would have loved to have been Morrissey's creative visualist. I remember I wrote a treatment for him for another song on that album. It was going to be all Giant. You know the movie Giant with James Dean? It was a take on it, and he was going to play the James Dean role.
Full interview here:
The director of the Netflix films weighs in on undead nudity, a possible sequel, and his days working with Morrissey.
I wonder which of the Your Arsenal songs was gonna get the Giant treatment?
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