King Leer
Leering since '97
Great points, as always. I did like Years in that it had the feeling of a live record, with Morrissey giving it his all on the vocals. Definitely would've swapped out one of those rawkers for My Dearest Love.
Interesting point about working in Boz' studio, but Morrissey has never been DIY type and never will be. He likes the "legitimacy" of record company backing too much.
It would be cool if he did at least try it once for a b-side or something.
I of course want Alain back, too, but with his career going well I'm worried he won't even contribute demos. In any case, I'm holding out for a great guitarist in the studio.
Interesting point about working in Boz' studio, but Morrissey has never been DIY type and never will be. He likes the "legitimacy" of record company backing too much.
It would be cool if he did at least try it once for a b-side or something.
I of course want Alain back, too, but with his career going well I'm worried he won't even contribute demos. In any case, I'm holding out for a great guitarist in the studio.
Like many, I would like to see a better variety of soundscapes with perhaps a more pastoral, acoustic feel - something that tunes into his unique sense of "Britishness" again. Years of Refusal felt like "Southpaw lite," with too many jacked up rockers - even though the coda was far too long, "You Were Good In Your Time" felt like a palliative after so much RAWK.
I feel there is something missing with Alain or Gary Day not present in the studio, too. I would like to see what an album would be like if he wrote the songs with Alain, Boz, and maybe opened the field to one or two others. Then, record with Alain, Boz, and a whole new cast of characters at the other chairs. I long to hear what he would come up with if he isolated himself in Boz's studio in Portugal - just let the relaxed, unhurried feel flow through the process.