Camusforyou
New Member
Thank you from the heart of my bottom. 

What becomes clear to me after listening to all this is how the band made the right call almost every time. For years, not hearing these unreleased versions, but always being reminded of their existence, always seemed to hint that the official releases were conservative and dull.
Now that I've heard them, I can say that part of the genius of The Smiths was taking the right course in the studio. The demos show experimentation and even expose some of the weaknesses of the band, but the versions that ultimately ended up on official release were great versions.
The story of The Smiths has already been etched in stone, and hearing these incomplete and alternate recordings don't detract from my impressions of the band, they only remind me how good they were.
Could you please share the 'alternate rare version' of Girlfriend In A Coma with us?
I am only aware of the demo/monitor mix version included in the link posted by Motorways...
Cheers,
I.R
To add to all the rest - THANK YOU!!!!!
[/B] - Girl Afraid (Glasgow 02-03-84) Department Of Enjoyment NME Various Artists Compilation Album 1985
- Girlfriend In a Coma (Alternate Rare Version)
- How Soon Is Now? (Unfinished Studio Take) Italy 12" "William,It Was Really Nothing" 1984
- Miserable Lie (Oxford 18-03-85) Rough Trade Compilation Various Artists Album 1986
- Shakespeare's Sister (Los Angeles 27-06-85) Rarities Vol.2 Various Artists Album 2003
- Some Girls Are Bigger Than Others (Without Fade-In)
- Suffer Little Children (First Demo Version) Decibel Studios 1982
- The Cowbell (Unreleased Instrumental)
- Unloveable (Inverness 01-10-85) Soundcheck. This song was never performed live
- What Do You See In Him? (Manchester 04-02-83) Wonderful Woman early version
- What She Said (Oxford 18-03-85) Poll Winners Free EP with NME 1985
- William, It Was Really Nothing (Oxford 18-03-85) Meat Is Murder Aborted Live EP 1985 [/B]
that's exactly what i thought when i first listened to these. i prefer ask, sheila, disco dancer etc as i know them, i think they released (from what we have heard so far) the better versions (but i must say i quite like the trumpet on frankly mr shankly). ive often heard bands' demos and loved them more the the final versions, but that's not the case here: even though these are not bad and it's interesting to see how the songs evolved, i'm glad they made the "right" choice in the end.
thanks a lot, motorways!
they lack the beauty and soaring nature of the officially released versions. I am so glad they didn't go with these versions.
I'm surprised to hear so many people say this. I realise now that a lot of people don't understand that most of these are unfinished mixes from various stages of the creation process. They were never considered to be released like that. It's pointless to say you're happy they didn't release them. Apart from Reel Around The Fountain, they were never meant to be.
If you saw a famous painting by Picasso or whoever, and had a chance to see a photo of the same painting halfway finished, with part of the canvas still white, you wouldn't say "Oh I'm happy he didn't leave it like that!".
The pleasure in these demos and outtakes is what they reveal about the creation process, and that even at their rawest, unpolished and unproduced, these are little gems that are going to grow into the masterpieces that we know and love.
Stephane
I'm surprised to hear so many people say this. I realise now that a lot of people don't understand that most of these are unfinished mixes from various stages of the creation process. They were never considered to be released like that. It's pointless to say you're happy they didn't release them. Apart from Reel Around The Fountain, they were never meant to be.
If you saw a famous painting by Picasso or whoever, and had a chance to see a photo of the same painting halfway finished, with part of the canvas still white, you wouldn't say "Oh I'm happy he didn't leave it like that!".
The pleasure in these demos and outtakes is what they reveal about the creation process, and that even at their rawest, unpolished and unproduced, these are little gems that are going to grow into the masterpieces that we know and love.
Have you ever seen photos of the person you're in love with, as a kid or a teenager?
Stephane
I'm surprised to hear so many people say this. I realise now that a lot of people don't understand that most of these are unfinished mixes from various stages of the creation process. They were never considered to be released like that. It's pointless to say you're happy they didn't release them. Apart from Reel Around The Fountain, they were never meant to be.
If you saw a famous painting by Picasso or whoever, and had a chance to see a photo of the same painting halfway finished, with part of the canvas still white, you wouldn't say "Oh I'm happy he didn't leave it like that!".
The pleasure in these demos and outtakes is what they reveal about the creation process, and that even at their rawest, unpolished and unproduced, these are little gems that are going to grow into the masterpieces that we know and love.
Have you ever seen photos of the person you're in love with, as a kid or a teenager?
Stephane
Dunno. It's nothing to write home about anyway, just sounds like someone farting about in the studio.Is the "Cowbell track" the demo that Mike Joyce played on radio and got aboslutely slaughtered for it?
Dunno. It's nothing to write home about anyway, just sounds like someone farting about in the studio.
Nah never seen a lossless copy.Have you got it on smithstorrents?
I'm surprised to hear so many people say this. I realise now that a lot of people don't understand that most of these are unfinished mixes from various stages of the creation process. They were never considered to be released like that. It's pointless to say you're happy they didn't release them. Apart from Reel Around The Fountain, they were never meant to be.
If you saw a famous painting by Picasso or whoever, and had a chance to see a photo of the same painting halfway finished, with part of the canvas still white, you wouldn't say "Oh I'm happy he didn't leave it like that!".
The pleasure in these demos and outtakes is what they reveal about the creation process, and that even at their rawest, unpolished and unproduced, these are little gems that are going to grow into the masterpieces that we know and love.
Have you ever seen photos of the person you're in love with, as a kid or a teenager?
Stephane
I think people are wetting their pants so much because we are so desperate to hear something new from Moz and sadly this will have to do for now. Hearing these demos or alt takes has made me listen to the real originals even more now, especially the mp3 remasters that someone uploaded recently. They sound fantastic!