The Smiths live at the Nottingham Royal Centre on 21st Oct 1986, playing "How Soon Is Now?" and "Still Ill" - Soundsville International / YouTube



The Smiths live at the Nottingham Royal Centre on 21st Oct 1986, playing How Soon Is Now and Still Ill

Concert Filmed by Soundsville International. This is taken from my master Video8 tape.

Memories from the night

My Parents were in the process of moving to Lincoln in 86, and they were renting a flat while they looked for a house. It just so happened that they were away that week, and as Lincoln is not far from Nottingham, we decided to borrow their flat for the night. We drove up from London in our trusty VW Camper van in the afternoon. Picking up a pizza as we drove through Lincoln, we found the flat and had some tea (that's an evening meal for all you non Brits ... although we may have had a cup of tea with it).
Nottingham is about 40 miles from Lincoln. We didn't leave the flat until early evening, so time was quite tight as we entered the city. It has a ring road round the city centre, which wasn't easy to navigate. We could see the Royal Centre from the ring road, but it wasn't easy to work out how to actually get to it. Which all meant we got to the doors with about 10 minutes to spare.
I'd brought my camcorder along. In them old days, camcorders were quite bulky, so I'd put it in a bag wrapped in a T-shirt. There was no security getting into the building ... but the venue was all seated, which is always a problem for those on the guest list. So we'd have to see someone about where we should go. We had a quick drink at the bar while I worried about being asked to open my bag. But when we asked about guest list seating we were directed to an old guy who obviously worked for the Royal Centre and wasn't going to be bothered with 'security' issues. He directed us to the side of the stage and up some stairs to a gallery slightly behind the front of the stage and a little above it. There was just a single row of about 6 seats in front of a metal bar barrier, looking out over the stage into the audience. We were almost sitting amongst the equipment. What a unique angle for filming.
I was a bit worried about being easy to spot when I started filming ... but the way I do things is once I start filming, to forget everything else and just try and get the best shots. So as the band came on I took the camera out of the bag and switched it on. I found I could hold it between my legs with the viewfinder angled up, and get great shots without looking too obvious. It was great being this close and filming from this unusual angle, although the sound mix was a bit odd. It appears that Morrissey has his vocals mixied quite low on the monitor mix.
Some other people had been seated up there with us ... and as the show started, the guy next to me got out an audio recorder and started to record the show. He seemed to make no attempt at being subtle, and within half a song someone had come up to have a word with him. I was cursing under my breath, as I was sure they would also see what I was up to, but I kept filming anyway. They took his recorder away ... but miraculously failed to spot me.
The show was another great show, and I managed to get a great film of it


Good stuff.
FWD.
 

spent

Well-Known Member


The Smiths live at the Nottingham Royal Centre on 21st Oct 1986, playing How Soon Is Now and Still Ill

Concert Filmed by Soundsville International. This is taken from my master Video8 tape.

Memories from the night

My Parents were in the process of moving to Lincoln in 86, and they were renting a flat while they looked for a house. It just so happened that they were away that week, and as Lincoln is not far from Nottingham, we decided to borrow their flat for the night. We drove up from London in our trusty VW Camper van in the afternoon. Picking up a pizza as we drove through Lincoln, we found the flat and had some tea (that's an evening meal for all you non Brits ... although we may have had a cup of tea with it).
Nottingham is about 40 miles from Lincoln. We didn't leave the flat until early evening, so time was quite tight as we entered the city. It has a ring road round the city centre, which wasn't easy to navigate. We could see the Royal Centre from the ring road, but it wasn't easy to work out how to actually get to it. Which all meant we got to the doors with about 10 minutes to spare.
I'd brought my camcorder along. In them old days, camcorders were quite bulky, so I'd put it in a bag wrapped in a T-shirt. There was no security getting into the building ... but the venue was all seated, which is always a problem for those on the guest list. So we'd have to see someone about where we should go. We had a quick drink at the bar while I worried about being asked to open my bag. But when we asked about guest list seating we were directed to an old guy who obviously worked for the Royal Centre and wasn't going to be bothered with 'security' issues. He directed us to the side of the stage and up some stairs to a gallery slightly behind the front of the stage and a little above it. There was just a single row of about 6 seats in front of a metal bar barrier, looking out over the stage into the audience. We were almost sitting amongst the equipment. What a unique angle for filming.
I was a bit worried about being easy to spot when I started filming ... but the way I do things is once I start filming, to forget everything else and just try and get the best shots. So as the band came on I took the camera out of the bag and switched it on. I found I could hold it between my legs with the viewfinder angled up, and get great shots without looking too obvious. It was great being this close and filming from this unusual angle, although the sound mix was a bit odd. It appears that Morrissey has his vocals mixied quite low on the monitor mix.
Some other people had been seated up there with us ... and as the show started, the guy next to me got out an audio recorder and started to record the show. He seemed to make no attempt at being subtle, and within half a song someone had come up to have a word with him. I was cursing under my breath, as I was sure they would also see what I was up to, but I kept filming anyway. They took his recorder away ... but miraculously failed to spot me.
The show was another great show, and I managed to get a great film of it


Good stuff.
FWD.

Marr is looking drunk, fooling around, and Morrissey has to do the entertainment part with the audience on his own.
 


The Smiths live at the Nottingham Royal Centre on 21st Oct 1986, playing How Soon Is Now and Still Ill

Concert Filmed by Soundsville International. This is taken from my master Video8 tape.

Memories from the night

My Parents were in the process of moving to Lincoln in 86, and they were renting a flat while they looked for a house. It just so happened that they were away that week, and as Lincoln is not far from Nottingham, we decided to borrow their flat for the night. We drove up from London in our trusty VW Camper van in the afternoon. Picking up a pizza as we drove through Lincoln, we found the flat and had some tea (that's an evening meal for all you non Brits ... although we may have had a cup of tea with it).
Nottingham is about 40 miles from Lincoln. We didn't leave the flat until early evening, so time was quite tight as we entered the city. It has a ring road round the city centre, which wasn't easy to navigate. We could see the Royal Centre from the ring road, but it wasn't easy to work out how to actually get to it. Which all meant we got to the doors with about 10 minutes to spare.
I'd brought my camcorder along. In them old days, camcorders were quite bulky, so I'd put it in a bag wrapped in a T-shirt. There was no security getting into the building ... but the venue was all seated, which is always a problem for those on the guest list. So we'd have to see someone about where we should go. We had a quick drink at the bar while I worried about being asked to open my bag. But when we asked about guest list seating we were directed to an old guy who obviously worked for the Royal Centre and wasn't going to be bothered with 'security' issues. He directed us to the side of the stage and up some stairs to a gallery slightly behind the front of the stage and a little above it. There was just a single row of about 6 seats in front of a metal bar barrier, looking out over the stage into the audience. We were almost sitting amongst the equipment. What a unique angle for filming.
I was a bit worried about being easy to spot when I started filming ... but the way I do things is once I start filming, to forget everything else and just try and get the best shots. So as the band came on I took the camera out of the bag and switched it on. I found I could hold it between my legs with the viewfinder angled up, and get great shots without looking too obvious. It was great being this close and filming from this unusual angle, although the sound mix was a bit odd. It appears that Morrissey has his vocals mixied quite low on the monitor mix.
Some other people had been seated up there with us ... and as the show started, the guy next to me got out an audio recorder and started to record the show. He seemed to make no attempt at being subtle, and within half a song someone had come up to have a word with him. I was cursing under my breath, as I was sure they would also see what I was up to, but I kept filming anyway. They took his recorder away ... but miraculously failed to spot me.
The show was another great show, and I managed to get a great film of it


Good stuff.
FWD.

Purchased this from Paul Dundon on VHS back in the day. The angle from behind the band was pretty unique. They were simpler days for Morrissey fans.
 

Carlislebaz

Cock of the north


The Smiths live at the Nottingham Royal Centre on 21st Oct 1986, playing How Soon Is Now and Still Ill

Concert Filmed by Soundsville International. This is taken from my master Video8 tape.

Memories from the night

My Parents were in the process of moving to Lincoln in 86, and they were renting a flat while they looked for a house. It just so happened that they were away that week, and as Lincoln is not far from Nottingham, we decided to borrow their flat for the night. We drove up from London in our trusty VW Camper van in the afternoon. Picking up a pizza as we drove through Lincoln, we found the flat and had some tea (that's an evening meal for all you non Brits ... although we may have had a cup of tea with it).
Nottingham is about 40 miles from Lincoln. We didn't leave the flat until early evening, so time was quite tight as we entered the city. It has a ring road round the city centre, which wasn't easy to navigate. We could see the Royal Centre from the ring road, but it wasn't easy to work out how to actually get to it. Which all meant we got to the doors with about 10 minutes to spare.
I'd brought my camcorder along. In them old days, camcorders were quite bulky, so I'd put it in a bag wrapped in a T-shirt. There was no security getting into the building ... but the venue was all seated, which is always a problem for those on the guest list. So we'd have to see someone about where we should go. We had a quick drink at the bar while I worried about being asked to open my bag. But when we asked about guest list seating we were directed to an old guy who obviously worked for the Royal Centre and wasn't going to be bothered with 'security' issues. He directed us to the side of the stage and up some stairs to a gallery slightly behind the front of the stage and a little above it. There was just a single row of about 6 seats in front of a metal bar barrier, looking out over the stage into the audience. We were almost sitting amongst the equipment. What a unique angle for filming.
I was a bit worried about being easy to spot when I started filming ... but the way I do things is once I start filming, to forget everything else and just try and get the best shots. So as the band came on I took the camera out of the bag and switched it on. I found I could hold it between my legs with the viewfinder angled up, and get great shots without looking too obvious. It was great being this close and filming from this unusual angle, although the sound mix was a bit odd. It appears that Morrissey has his vocals mixied quite low on the monitor mix.
Some other people had been seated up there with us ... and as the show started, the guy next to me got out an audio recorder and started to record the show. He seemed to make no attempt at being subtle, and within half a song someone had come up to have a word with him. I was cursing under my breath, as I was sure they would also see what I was up to, but I kept filming anyway. They took his recorder away ... but miraculously failed to spot me.
The show was another great show, and I managed to get a great film of it


Good stuff.
FWD.

I love stories like this .....
And I’ve always secretly known you were a bad ass MF all along ... 🥰🥰
 

Redacted

I think I must be, absolutely, a total sex object.
Marr looking like a child who stole a suit from his da's closet desperately wandering around the stage for attention then ends up in Craig's face, pushing him. Absolute douchebag, Craig should have knocked him out.
M, perfection as always ❤️
 
Last edited:

Johnny

Well-Known Member
That's some of the best Clips I have seen of The Smith and from a really unique angle.
I really think Craig Gannon was an excellent addition and it's a pity that line up never lasted.
 
A

Anonymous

Guest
It’s weird, I don’t think I’ve ever seen a video of a Smiths gig where the crowd is standing so sparsely near the front of the stage?
 

Hanna_hanna

Let me get my hands on your mammary glands


The Smiths live at the Nottingham Royal Centre on 21st Oct 1986, playing How Soon Is Now and Still Ill

Concert Filmed by Soundsville International. This is taken from my master Video8 tape.

Memories from the night

My Parents were in the process of moving to Lincoln in 86, and they were renting a flat while they looked for a house. It just so happened that they were away that week, and as Lincoln is not far from Nottingham, we decided to borrow their flat for the night. We drove up from London in our trusty VW Camper van in the afternoon. Picking up a pizza as we drove through Lincoln, we found the flat and had some tea (that's an evening meal for all you non Brits ... although we may have had a cup of tea with it).
Nottingham is about 40 miles from Lincoln. We didn't leave the flat until early evening, so time was quite tight as we entered the city. It has a ring road round the city centre, which wasn't easy to navigate. We could see the Royal Centre from the ring road, but it wasn't easy to work out how to actually get to it. Which all meant we got to the doors with about 10 minutes to spare.
I'd brought my camcorder along. In them old days, camcorders were quite bulky, so I'd put it in a bag wrapped in a T-shirt. There was no security getting into the building ... but the venue was all seated, which is always a problem for those on the guest list. So we'd have to see someone about where we should go. We had a quick drink at the bar while I worried about being asked to open my bag. But when we asked about guest list seating we were directed to an old guy who obviously worked for the Royal Centre and wasn't going to be bothered with 'security' issues. He directed us to the side of the stage and up some stairs to a gallery slightly behind the front of the stage and a little above it. There was just a single row of about 6 seats in front of a metal bar barrier, looking out over the stage into the audience. We were almost sitting amongst the equipment. What a unique angle for filming.
I was a bit worried about being easy to spot when I started filming ... but the way I do things is once I start filming, to forget everything else and just try and get the best shots. So as the band came on I took the camera out of the bag and switched it on. I found I could hold it between my legs with the viewfinder angled up, and get great shots without looking too obvious. It was great being this close and filming from this unusual angle, although the sound mix was a bit odd. It appears that Morrissey has his vocals mixied quite low on the monitor mix.
Some other people had been seated up there with us ... and as the show started, the guy next to me got out an audio recorder and started to record the show. He seemed to make no attempt at being subtle, and within half a song someone had come up to have a word with him. I was cursing under my breath, as I was sure they would also see what I was up to, but I kept filming anyway. They took his recorder away ... but miraculously failed to spot me.
The show was another great show, and I managed to get a great film of it


Good stuff.
FWD.

Wow! Amazing video, thank you!

As someone mentioned here, it’s an interesting angle of view! Morrissey’s dance is cool as always. And Marr was such a badass there:)
 
M

Mu Empire

Guest
Thanks for sharing FWD. This was the night I was born so I'm always on the lookout for decent photos/footage/posters etc from that night, as daft as that sounds. Much appreciated!
 
I

Ineke

Guest
I have the whole show, filmed from the same perspective. I got it on a VHS with Smiths stuff I bought in 1990.
 

Trending Threads

Top Bottom