Re: is 'chompsky' spelled with a "p"?
Ok Crushing Bore-- I will respond to you, but after that I vow not to post again if I can help it. The reason that I am here in the first place is so absurd I can hardly believe myself--but that is a different matter and I have neither the time nor that will to discuss that.
I'm glad to hear that you are doing something (whatever that is) to improve the world. I am truly glad for you. I am happy that you have found something worthwile to fight for, against, with, without, etc. I am glad for you and glad for the people, objects, things, whatever that you are helping, improving, hurting, changing etc.
My only point which was born out of frustration was this--I find the blending of important issues with inane ones disturbing and unethical.
Maybe calling the discussion of Morrissey inane was too strong of a word--but it was only used to prove a point. Anyway, I couldn't find exactly what I was looking for in Jameson but I came across some related passages that I though you might like to read. Crushing Bore, this one's for you:
Jameson:
...Rather, I want to suggest that our faulty representations of some immense communicational and computer network are themeselves but a distorted figuration of something even deeper, namely, the whole world system of present-day multinational capitalism. The technology of contemorary society is therefore mesmerizing and fascinating not so much of its own right but becasue it seems to offer some priviledged representational shorthand for grasping a network of power and control even more difficult for our minds and imaginations to grasp: the whole new decentered global network of the third stage of capitalism itself. This is a figural process presently best observed in a whole mode of contemporary entertainment....
..Meanwhile, for political groups which seek actively to intervene in history and to modify its otherwise passive momentum (whether with a view toward channeling it into a social transformation of society or diverting it into the regressive reestablishment of some simpler fantasy past) there cannot but be much that is deplorable and reprehensible in a cultural form of image addiction which, by transforming the past into visual mirages, stereotypes, or texts effectively abolishes any practical sense of the future and of the collective project, thereby abandoning the thinking of future change to fantasies of sheer catastrophe and inexplicable cataclysm, from visions of "terrorism" on the social level to those of cancer on the personal."...