Peppermint
Well-Known Member
Oh God, that IS a struggle. At least I get something out of it, even if the process is torture. Why does it make you feel worse? Is it because the end product isn't what you hoped for? I admit I do feel a similar frustration - 'I should be able to do this' - and it's partly this stubborn refusal to accept I'm no good at it which keeps me trying, trying, trying again.that's the opposite of me, everything feels ten times worse after ive written something. any other person might take this as a sign that they shouldn't be a writer but I have this great confidence in my ability to figure out how to do something even if it takes me 10 years.
I do wish you'd give us some hint about your novel. like what genre is it? how many pages? what kind of characters? what point of view do you use? even if you think it's a bad one, it's still cool to say you wrote a novel.
To be fair, the trying and trying has made a difference - I have definitely improved, and it's made me more aware of what I should be doing. Every book I read, I find myself analysing how it's constructed, why it works better than mine. It's a little depressing but also interesting, and useful.
There are some great online resources which I've found helpful. Jericho Writers I think is one of the best:
https://jerichowriters.com/plotting-a-novel/
But I've also found these useful:
https://thewritelife.com/how-to-write-a-good-story/
https://www.nownovel.com/blog/develop-story-10-ways-write-better-plots/
https://www.nownovel.com/blog/how-to-plot-novel/
And for all-round good advice, I found this hard to beat (and really funny)
http://terribleminds.com/ramble/2011/06/20/25-things-you-should-know-about-writing-a-novel/
The first one I wrote was about a man who was abnormally kind. There, bored already, huh? I wanted to explore the deeper, darker motivations behind kindness in some erudite and engaging way. What I actually ended up with was an improbable yarn which featured sibling rivalry, beetroot, bees, bad sex, a horrific childhood secret and a comical dog murder.
The one I'm currently beating myself up over is the story of a house over a period of about 140 years. I've always been fascinated by older buildings because it seems to me like you can sense - almost smell - the other lives who've lived there, like they seep into the brickwork and plaster and become part of it. To me, that's the main reason why older houses are more interesting - they have literally 'lived' - and the house witnesses all of it. So it's the story of all the occupants, but with the house as narrator. But the house itself is a waspish, narcissistic character who bitches and moans and gossips about everybody, which gives another layer to the story. And of course there is a link between all the occupants (or there should be, but I'm not convinced mine is strong/clever enough). I'm sure in the hands of a more competent writer it could work but I'm struggling to get movement into it, so it feels a bit static.
Oh God, now I have written a novel on novels. Apologies.
What do you write about, Rifke, when you manage to? And what is it you're hoping to create/achieve?
Last edited: