C.W. McCall
Back on the street again
Does anybody here have a scan of the Moz feature titled "Sound and Vision" that was printed in the March 1993 issue of Movieline? Thanks very much in advance!
IIRC, Movieline featured other artists picking films as well.Does anybody here have a scan of the Moz feature titled "Sound and Vision" that was printed in the March 1993 issue of Movieline? Thanks very much in advance!
and alien vs predator which bozz said him and mozz watched on a flight,IIRC, Movieline featured other artists picking films as well.
There are different films mentioned in the Movieline article when compared to the above NME one though:
(not exhaustive and my own research):
Movieline included:
Spring & Port Wine.
This Sporting Life.
To Sir, with Love.
Woman in a Dressing Gown. ('57).
Turn the Key Softly.
Billy Liar. ('63).
Brighton Rock.
Charlie Bubbles. ('68).
The Collector. ('65).
Dancehall. ('50).
Flame in the Streets ('61).
Hobson's Choice ('54 - in NME too).
An Inspector Calls ('54).
Regards,
FWD.
(It never featured on the Comtesse DeSpair site/s).
Thanks for this.Look what I found in my collection, scanned just for you:
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Movieline, March 1993
Morrissey
"My relentless obsession with British films of the '40s, '50s and '60s has had an overwhelming influence on everything I've ever written. The list of favorites could be endless: The Killing of Sister George (1969), It Always Rains on Sunday (1947), Poor Cow (1967), The Leather Boys (1963), Yield to the Night (1956), Flame in the Streets (1961), Spring and Port Wine (1970), Woman in a Dressing Gown (1957), The October Man (1947), Turn the Key Softly (1953), An Inspector Calls (1954), We Are the Lambeth Boys (1959), Victim (1961), Charlie Bubbles (1968), The Family Way (1966), A Kind of Loving (1962), To Sir with Love (1967), Oliver Twist (1948), Billy Liar (1963), Dance Hall (1950), The Ladykillers (1955). Modern films do not inspire me at all. I refuse to watch anything post-1971 because every story had been told by then."