I particularly like 'Let me go where my pictures go' and 'She She'. This is a band who were well ahead of their time, unconventional and challenging, like music should be. Linder has a very strong personality. Sadly, there aren't many women left in the music business who have that. Instead, we have insufferable bores like Britney Spares who get their boobies out for money. Please put them away, you trailer trash!
Well, there was always bland pop and there were always women who became extremely popular by showing their boobs and 'singing' (or rather opening their mouths to produce some crappy noise) some mindless nonsense other people have written for them. It's hardly something new. The 80s were awful in that respect - I was very little, but I remember Samantha Fox and Sabrina.
There are women with interesting music and attitude now just as they were in the early 80s, but usually away from the mainstream pop.
I love P.J.Harvey and The Dresden Dolls. Cat Power makes interesting music, too, though I'm not a fan of weak girly voices
I loved Goldfrapp in the beginning, "Felt Mountain" is one of my all-time favourite albums, but I don't like their last 2 albums and the direction they've taken. Not a particular fan of Bjork's voice either, but she definitely is very original as a personality and as a musician, and she has made some wonderful music. Too bad that Kathleen Hanna's music, with Bikini Kill or Le Tigre, just isn't my cup of tea. Do you know the Canadian singer-songwriter Lhasa de Sela? I've become interested when I heard her song "Anywhere On This Road" on radio, especially because of this verse: "I love a man who is afraid of me/he thinks if he doesn't stand guard with a knife/I'll make him my slave for the rest of his life". One of the best, truest lines I've ever heard on male-female relations.
On the subject of Ludus, to answer my own questions:
My favourite songs:
Mirror Mirror (studio version)
Mother's Hour
Patient
Herstory
The Fool
The Escape Artist
Let Me Go Where My Pictures Go
Too Hot To Handle
What A Falling Off Was There
Unveiled (A Woman's Travelogue)
See The Keyhole
Sightseeing
Lullaby Cheat
Mutilate
and so on, I like all of them. Obviously, I like the poppy ones as well as some of the more improvisional ones.
I was put off by DCS at first - I was disappointed because there weren't any 'proper songs' on it. But now I actually find myself listening to it quite often, and I like about 70% of it (particularly the tracks Invasion of Compulsory Sex-Morality, Flogging Cully, I Stabbed At The Sheep, Mememoremee, Mistresspiece, Bloody Chamber, Bitch Party, Howling Comique, Centuries). But it would be better without a few really boring ones, if you remove Palace Of Thieves (8 minute of pointless boredom) and another track or two, it would make the album twice shorter and much better.
Apart from the CDs, I have the original vinyl single "My Cherry Is In Sherry". But I also have all the mp3s taken from the vinyl and scans of original artwork for "Mother's Hour" and "Pickpocket" (thanx to Soulseek
)