Jones said:
I go for the tiresome bollocks theory myself. I reckon it's written by that sad loser who set up that blog and made up a whole fake interview with Moz. Do you think they ever think to themselves "hang on, am I losing the plot a bit here?".
The person who set up that blog (I think it was called "Ringleader of the Tormentors 1970" or something?) then went on (and on, and on) about how David T wasn't listing any news about it on the main page. Got tiresome quick. This email is an interesting one-off.
Man Afraid said:
i hope he does ditch sanctuary they completely ballsed up ROTT, moz made a sterling album and they did not promote it fittingly, now if he had been signed for another label they would have taken there opertunities with this one and absolutlely whored that album in the media, and they shouldve been paying radio stations to paly thier songs just like all the big labels do, sanctuary have one of the biggest artists around and they dont do enough to make him as succesful as he couldve been with this album
This is exactly right. The album deserved as much or more marketing muscle than
Who Ate the Curry? had behind it. Instead, Sanctuary sort of floated it out there and hoped it would get by on its own steam, along with Morrissey's increased media presence. The email shows how that even with
everything in the right place, without proper publicity, it's going nowhere. And no comments on the quality of the song itself, please -- it's an above-average Morrissey single with enough radio friendly hooks to sell more than 9000+ copies!
AlbertFinney said:
You haven't got a high opinion of yourself have you?
Albert -- only when it comes to writing. I'll stand mine up against anybody's. Other than that, you won't see me boasting about anything on this site (or anywhere). That said, most of my posts on Moz-solo are knocked out in 30 seconds or less.
bauer24 said:
I dont believe for a second that Moz even uses a pc, never mind owns one! He is a complete technophobe! I dont even think he uses a phone.
I was under the impression any communication from him comes by way of fax.
This was true until around some time in the late 90s. 1997's
Wide to Receive was Morrissey's first hint at computer usage, and ironically, the lyrics remain quite relevant. And then there were the photos in Morrissey's LA home around '99 or 2000 (or was it later?), where an iMac was visible in the background. In a recent interview, Morrissey gave his email address to the interviewer, asking him to "keep it under his Stetson."
Still, beyond simple usage of email and a printer (for set lists, I imagine), I think he's basically computer illiterate, and wouldn't know how to access his own email on someone else's PC (which I went into further detail in my original post).
The fact that the email in question isn't from Morrissey's own address is at once convenient for a "Morrissey manqué," but on the other hand is more believable than it coming from his own machine, a much more remote possibility.