gargumma
Active Member
Do you guys remember which show R.E.M. ended up playing mostly only covers?
Wasn't it this one?
Actually, in 1985 they used to play lots of covers per gig. See also Albany and Toronto, for example.
Do you guys remember which show R.E.M. ended up playing mostly only covers?
I'm a little doubtful:Monster 25 tracklist I found on facebook
Coming November 1st, 2019
DISK: 1
1. What's The Frequency, Kenneth?....
I'm a little doubtful:
- the 2 albums even more successful than this one "only" had 3+1 disc reissues
- an entire disc of (possibly) only unreleased songs/demos, plus a full live show that might have been chosen because of its suspiciously high amount of songs performed during the tour but not found on Road Movie or the BBC Milton Keynes show (Circus Envy, Near Wild Heaven, Welcome To The Occupation, Me In Honey, Monty Got A Raw Deal, You, So. Central Rain) seem like wishful thinking to me
- an entire disc of brand new remixes wouldn't be the most R.E.M. thing to do
Still, it could be accurate, we should know quite soon.
I'm a little doubtful:
- the 2 albums even more successful than this one "only" had 3+1 disc reissues
- an entire disc of (possibly) only unreleased songs/demos, plus a full live show that might have been chosen because of its suspiciously high amount of songs performed during the tour but not found on Road Movie or the BBC Milton Keynes show (Circus Envy, Near Wild Heaven, Welcome To The Occupation, Me In Honey, Monty Got A Raw Deal, You, So. Central Rain) seem like wishful thinking to me
- an entire disc of brand new remixes wouldn't be the most R.E.M. thing to do
Still, it could be accurate, we should know quite soon.
Yeah, they used to include the titles of the finished songs with the demos (see The Athens Demos for Lifes Rich Pageant), but they stopped doing that with Automatic, so it seems reasonable that some of these working titles hide songs that did get a release.- the demos disc is not all unreleased. The band used different working titles for one same song. Some of the titles you see on the post are songs we already know. To pull something from another forum I read, "Time Is On Mike’s Side is Strange Currencies. Cranky is Star 69. Mike’s Gtr is Let Me In. 1Experiment (shortened from Experiment In Terror) is I Don’t Sleep, I Dream."
I never doubted that they must have tons of high-quality live recordings, especially from a tour where they were travelling with a portable studio in order to record new stuff, and it makes sense that they would choose a show that's both good enough for release and different enough in content from the previously released stuff.- the live CD is a reality. According to a guy who worked on this release, from what I read in another forum, the main concern was getting a good show that wasn't widely circulated this time around. Apparently, R.E.M. has A LOT of shows from this era recorded in multitrack.
- I wasn't expecting dancefloor-oriented reworkings- the remix disc is not made out of remixes in the, say, "house music sense", or in the sense that KOC had that awful 808 State remix. These are remixed tracks by Scott Litt himself, and this is likely the album as he wanted it to be originally, but apparently didn't have time to give it a proper consideration at the time, as he was rushed to present a final product.
- I wasn't expecting dancefloor-oriented reworkings
- Based on the Shiny Happy People remixes, Scott Litt as a remixer wouldn't seem like a brilliant idea. After listening to the Kenneth remix, it's not that bad, but it doesn't make much sense to me to release slightly different versions of these songs - in my book, if you change it, make the change significant, otherwise, what's the point? And I really like the 808 State remix of King Of Comedy![]()
I can’t get over how much of the ending was chopped off of Kenneth. I love that repeated chorus.
The band is sharing previously unreleased song “Fascinating” to benefit @mercycorps ' Hurricane Dorian relief efforts in the Bahamas. Recorded in 2004 at Nassau’s Compass Point Studios, it's now available for download for the first time:
https://t.co/APwXxhsF7Z
https://t.co/kIfeY7dlQa
https://remhq.bandcamp.com/
To me, this sounds identical to the version they recorded in 2001 for Reveal:
Anyone hear any differences they could point out?