Vauxhall and I
Ringleader of the Tormentors
You Are The Quarry
Viva Hate
I Am Not A Dog On A Chain
Your Arsenal
Maladjusted
Years of Refusal
Southpaw Grammar
World Peace Is None Of Your Business
Low in High School
California Son
Kill Uncle
I Know It's Gonna Happen Someday
The Lazy Sunbathers
Dial-A-Cliché
Lenny's Tune
He Cried
(I'm) The End Of The Family Line
I Like You
Mountjoy
Best Friend On The Payroll
I Just Want To See The Boy Happy
Sorry Doesn't Help
The Secret Of Music
Who Will Protect Us From The Police?
My Hurling Days are Done
Speedway
Tomorrow
Satan Rejected My Soul
Southpaw
I’m OK by Myself
Margaret on the Guillotine
Israel
There’s a Place in Hell for Me and My Friends
Oboe Concerto
Some Say I Got Devil
At Last I am Born
You Know I Couldn’t Last
I'm OK By Myself (Never thought I'd ever rank this song so high. Another one I once hated, but I realized I listen to the most out of any of these tracks)
Margaret on the Guillotine
Israel (Me after YOR was released: I wish Morrissey would do more piano-based tracks; Me after listening to Israel...
My Hurling Days Are Done (Speedway is technically better, but this song is very meaningful to me, being released shortly after my last remaining parent passed away and at the beginning of Covid. It fit the moment for me)
Speedway
Dial-a-cliché
Lenny's Tune (My favorite on California Son. It...
To Me You Are a Work of Art (The verses are meh, but oh does he sound great on those choruses)
Tomorrow
I Don't Mind if You Forget Me
The Lazy Sunbathers
You Were Good in Your Time
Satan Rejected My Soul (One of the more throwaway tracks I really enjoy. Hurt only by a lackluster vocal...
I Know It's Gonna Happen Someday
Let Me Kiss You
Used to be a Sweet Boy
It's Not Your Birthday Anymore (I used to hate this song, but it and most of YOR has been growing on me this last year or two)
On The Street's I Ran (I think this one is a bit underrated. I find Jesse's guitar playing and...
I'll Never Be Anybody's Hero Now (The music's nothing special, but this might be my favorite song of his vocally speaking, particularly the ending. Morrissey's falsetto and his ability to flip between head voice and chest voice was better than ever during YATQ and ROTT era)
Break Up the Family...
Life Is A Pigsty
I Am Hated For Loving
Darling I Hug A Pillow
Suedehead (Yes, yes, I know. Suedehead is definitely better that Darling. I'm just bored of this track)
Wide to Receive
Driving Your Girlfriend Home
That's How People Grow Up (Can't stand the music, but Morrissey sounds great on it)...
Why Don't You Find Out For Yourself
Knockabout World (Another track where I find that I have inconsistent Morrissey opinions. I hate the repetitive chorus of Dagenham Dave yet love this track. Perhaps it's just the personal significance the song has for me. It was released on the same day as my...
In The Future When All's Well
The More You Ignore Me the Closer I Get
What Kind of People Live in these Houses? (The great backing track and tone of Morrissey's voice on this make me overlook the dreadfully rudimentary rhyming. I wonder why he has been using it for so long on so many tracks. Has...
The Smiths:
The Headmaster Ritual
A Rush and a Push and the Land Is Ours
Reel Around The Fountain
The Queen Is Dead
Morrissey:
Now My Heart Is Full
Our Frank
Jim Jim Falls
Maladjusted
You're Gonna Need Someone On Your Side
Alsatian Cousin
Something Is Squeezing My Skull
I Will See You In Far...
Top 10:
Come Back to Camden
Now My Heart Is Full
I'll Never Be Anybody's Hero Now
Break Up The Family
Trouble Loves Me
Yes I Am Blind
Why Don't You Find Out For Yourself
I Know It's Gonna Happen Someday
In The Future When All's Well
I've Changed My Plea To Guilty
Honorable mentions by era...
Come Back to Camden
Trouble Loves Me
Home is a Question Mark
Hold on to Your Friends
I'm Throwing My Arms Around Paris
The Operation
The National Front Disco
The Youngest Was the Most Loved
Istanbul
Bengali in Platforms
Mute Witness
I Am Not a Dog on a Chain
Suffer the Little Children
Dear God, Please Help Me
Alma Matters
Spring Heeled Jim
Reader Meet Author (Love the music and would rate this higher if it weren't for the lackluster vocal performance. While I love Morrissey's vocals on Vauxhall and I, that style didn't work as well on some of the Southpaw Grammar tracks)
Love...
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