This is not a rant or an hysterical bombast. It is a polite and calmly measured request: Would you please stop mentioning my name in your interviews?
Would you please, instead, discuss your own career, your own unstoppable solo achievements and your own music?
If you can, would you please just leave me out of it?
The fact is: you don’t know me. You know nothing of my life, my intentions, my thoughts, my feelings. Yet you talk as if you were my personal psychiatrist with consistent and uninterrupted access to my instincts. We haven’t known each other for 35 years - which is many lifetimes ago. When we met you and I were not successful. We both helped each other become whatever it is we are today. Can you not just leave it at that? Must you persistently, year after year, decade after decade, blame me for everything … from the 2007 Solomon Islands tsunami to the dribble on your grandma’s chin ?
You found me inspirational enough to make music with me for 6 years. If I was, as you...
JOHNNY MARR has been brutally honest about his painful memories from The Smiths break-up and shared how he talks to everyone from his incredible career except for Morrissey.
Speaking in a new interview with Uncut, the 58-year-old said: “[The Smiths are] one of the things I’m proudest of. One of the things that I must be proud about – not only myself but the whole group, because that was our MO. Whatever s*** was going on, nothing got in the way of what was coming out of speakers – and there’s a lot to get in the way.
“It’s a simplistic way of putting it, but one of the reasons I’ve been in so many bands was because I wanted to be loyal to them. It won’t come as any surprise when I say that I’m really close with everyone I’ve worked with – except for the obvious one. And that isn’t that much of a surprise because we’re so...
I’ve been occupied this year recording and promoting a new album. I was pleased to finally see the release of the latest Bond film — I recorded the soundtrack mostly at Hans Zimmer’s studio in Soho. Hans and I are pretty tight, we’ve been working together for around ten years now. Billie Eilish...
What Difference Does It Make? / Bigmouth Strikes Again / Still I'll / Reel Around The Fountain / Cemetry Gates / Ask / Hand In Glove / Some Girls Are Bigger Than Others / The Boy With The Thorn In His Side / Girlfriend In A Coma / Well I Wonder / Heaven Knows I'm Miserable Now / Panic / William, It Was Really Nothing / Barbarism Begins at Home / Please, Please, Please Let Me Get What I Want // How Soon Is Now? / This Charming Man / There Is A Light That Never Goes Out
Entered to Coronation Street theme and opened with What Difference Does It Make?
What Difference Does It Make?
Bigmouth Strikes Again
Reel Around The Fountain
Hand In Glove
Some Girls Are Bigger Than Others
The Boy With The Thorn In His Side
Girlfriend In A Coma
Well I Wonder
Heaven Knows I'm Miserable Now
William, It Was Really Nothing
Barbarism Begins at Home
Please, Please, Please Let Me Get What I Want
How Soon Is Now?
This Charming Man
There Is A Light That Never Goes Out
A new book out this week: Like Magic in the Streets: Orange Juice, Aztec Camera, the Go-Betweens, the Smiths, the Blue Nile and the End of Romance
“An amazing book. I couldn't put it down. Meticulously researched and continuously compelling, I learnt a lot about these five seminal albums I didn't know myself.” Craig Gannon, Aztec Camera/the Smiths
Like Magic in the Streets tells the curious stories behind the making of much-loved indie LPs: You Can’t Hide Your Love Forever, High Land, Hard Rain, Before Hollywood, The Smiths and A Walk Across the Rooftops - music that couldn’t have been made at any other time, shaped by an age of radical transformation during the early Eighties.
The book captures the mood of what it felt like to live under the rule of Queen Elizabeth II and Mrs Thatcher in the new-build landscape of flyovers and underpasses, concrete shopping centres and civic parks, to be...