This one escaped me, but here are the items and hammer prices for various relevant lots. The trend is definitely upwards for prices.
SMITHS - THE BOY WITH THE THORN IN HIS SIDE - ORIGINAL MASTER TAPE.
A boxed reel of Ampex Grand Master 456 audio tape on a 10.5" reel, with contents to include an original recording of 'The Boy With The Thorn In His Side' made by The Smiths at Drone Studios, Manchester in August 1985. The recording on this tape lasts for approx 3.21 and the recording likely differs slightly from released versions, which will have undergone further mixing/mastering. The reel also includes a demo recording by Lisa Stansfield as well as incidental music created for a television show.
Provenance: the vendor was present during the recording session and was later given the tape reel following the closure of the studio. This item is sold as an artefact only, without copyright. Any reproduction is...
It’s forty years since the Smiths released their first single ‘Hand In Glove’. We’ve already seen a slew of articles on the anniversary, and the clichés about this most singular, most wonderful pop group are doing their weary rounds yet again. The Guardian tells us that the Smiths are incredibly influential. But this is sadly not so. I don’t hear any influence, not a note, in anything that’s followed.
‘Over the past 40 years, you can see their aesthetic and spiritual influence in everyone from the Stone Roses to Oasis and the 1975,’ they tell us. If only! Those bands are derivative, certainly, but of the Smiths? Guitars and the North of England aside, it’s hard to imagine greater artistic gulfs. The comparison between the emotional open wound of the Smiths’ output with the 1975’s immaculately hollow, precision-tooled-for-Spotify tunes is laughably wide of the target. I strongly suspect you could remove the Smiths from history, and those bands – and pop music in general –...
In a second feature marking 40 years of the Smiths, fans including Andy Burnham and Connie Constance consider how and why the band have endured.
John Peel once described the Smiths as “just another band that arrived from nowhere with a very clear and strong identity”. Unlike other bands, he said, the Smiths weren’t trying to be T Rex or the Doors; they were simply the Smiths, a group whose aesthetic lineage was curiously hard to trace.
What they left in their wake, of course, is far easier to map out: there are few indie bands since who don’t, at least in some way, take their cues from Morrissey...
Not everyone finds it easy to listen to the Smiths now, but those early transmissions were utterly formative for this vital new band and their enraptured fans
Full text below:
It’s 40 years this month since anyone bar the attenders at their handful of gigs heard the Smiths. On 13 May 1983, they released their first single, Hand in Glove, on Rough Trade. Then, on 31 May, John Peel broadcast their first session for his BBC Radio 1 show. Before the year was out, they would have recorded one more for him, as well as two for David Jensen. A total of 14 songs were broadcast, all being heard for the first time, apart from a new version of Handsome Devil, the B-side to Hand in Glove.
The Smiths’ radio sessions were as astounding a rush of...
A look into the gear behind The Smiths, Morrissey, Johnny Marr, Andy Rourke and Mike Joyce - the original jangle rocking sad boys who won hearts the world over.
With an unmistakably honest sound and provocative lyricism, The Smiths are arguably the most iconic indie-rock band of all time, with their legacy still having an impact on the music of today.
Despite intentionally giving themselves “the most ordinary name”, The Smiths produced a brand of genre and era-defining music, bridging the genre gap between the New-Wave and Britpop that flooded the British Isles in the ’70s and ‘90s, respectively. While playing a major role in the popularity of Indie music in the Western world, The Smiths themselves also evolved their sound throughout their discography. From the band that graced the stages of student music shows, to the sensations that took the world by storm – these are the musical tools that The Smiths called their own.