Andy Rourke and Mike Joyce interviews in The Guardian

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Whether or not Marr (and consequently, Moz's subsequent collaborators) wrote all the music is a matter of debate. Please see the "How great is Morrisseys musical contribution to his songs?"
Whoops! Sorry, you're talking about Dashboard. I misunderstood your point. You can still check out the thread though as it appears to have gone very quiet.
 
Whoops! Sorry, you're talking about Dashboard. I misunderstood your point. You can still check out the thread though as it appears to have gone very quiet.

You keep doing this. Why don't you just edit/delete your posts when you realise you've made a mistake?
 
Morrissey described Andy Rourke & Mike Joyce as the most capable musicians in Manchester ( David Kid Jensen radio shows 1980s).

Anomosity about lost court cases & performance royalties is all about the money. chnng chnng ching.
 
Stephen Morris was always better (and not just a one trick pny, either)...
 
the smiths just wouldn't have been the same without mike and andy... amazing players and nice guys both. do i think they deserve the same cut as steven and johnny? nope. because even though the smiths wouldn't have been the same without their rhythm section - they wouldn't have happened at all without those songs, those lyrics, that voice, and that guitar.
 
Irrelevant. You asked how Morrissey "stole" Joyce's money, "exactly," and I explained it to you, exactly.

On the question of whether Joyce was or, "wasn't whining about not receiving his share of the profits until AFTER the band had split," I think you need to go and read the decision given by Judges Gibson, Thorpe & Waller in "Morrisey [sic] & others v. Joyce." It'll acquaint you with the material facts of the case.

is the same shit-for-brains judge who needed "Top of the Pops" explained to him?

Yes, he certainly sounds like somebody who is in a place to decide such things :rolleyes:

and you came nowhere close to explaining how Morrissey stole any money from Joyce, so I'm afraid you FAIL. Joyce had no contract stating he deserved such an allotment, so whose fault is that? He only started crying after the band split

even if he drummed on every song they did, he had no artistic input into the songs. I can just see Porter and Street holding his arms to show him how they wanted the drums played. Otherwise, he'd have his name on the compositions next to "Morrissey/Marr"

which might also account for Joyce's less-than-extensive canon of songwriting he's done since the end of the Smiths.
 
He was un aware that he was being robbed...until later. But I guess that is the Moz in your ear stating that because he did his job, he should be happy being robbed.

This is why I have moved on from Morrissey. It is so sad to see. Most artists do not dwell on such junk. They do not need fans to fight their battles.

it cracks me up to see people like you take this shit to heart. On the internet, no less. To think that some belligerent Morrissey fans defending their hero to the death is what caused you to move on from the man's music

I would be incredibly embarrassed if I were you
 
is the same shit-for-brains judge who needed "Top of the Pops" explained to him?

Yes, he certainly sounds like somebody who is in a place to decide such things :rolleyes:

A thoroughgoing knowledge of popular culture isn't necessary to decide questions of law.

and you came nowhere close to explaining how Morrissey stole any money from Joyce, so I'm afraid you FAIL. Joyce had no contract stating he deserved such an allotment, so whose fault is that? He only started crying after the band split

Are you being deliberately obtuse, or do you just genuinely not understand? Let me explain it again, slowly, for you. The four members of The Smiths had a contract. The default position, in law, is that profits and liabilities arising from that contract should've been divided equally unless there was a contractual agreement which departed from the presumption of equality. Meticulous examination of the facts showed that Morrissey and Marr had not made a contractual agreement with Joyce that he would receive just 10%. For that reason, the default position (of equality) applies.

even if he drummed on every song they did, he had no artistic input into the songs. I can just see Porter and Street holding his arms to show him how they wanted the drums played. Otherwise, he'd have his name on the compositions next to "Morrissey/Marr"

which might also account for Joyce's less-than-extensive canon of songwriting he's done since the end of the Smiths.

Whether or not he made an "artistic contribution" to the songs (he did, incidentally) has absolutely nothing to do with his entitlement to 25%.
 
Stephen Morris is a terrific drummer, sometimes let down by poor songwriting; New Order's 'The him' from their first album is a good example.
 
Stephen Morris is a terrific drummer, sometimes let down by poor songwriting; New Order's 'The him' from their first album is a good example.

Stewart Copeland, he ain't. (Interesting choice of song, by the way.)
 
Morrissey was right. He should've won. This is all just bullshit. And on top of it, there was no partnership. Isn't it? Because if you did the search on it, a "partnership" is not what these four had. Not at all. Just an observation



Kate2828
 
There WAS a contract - verbal, not written (it doesn't have to be written). The court heard that Rourke made a statement while still in The Smiths that 'we get 10%'. They knew they were getting 10%. They didn't make a fuss about it because if they had done they would have been kicked out the band straight away. So don't give me that shit about there not being a contract.
 
There WAS a contract - verbal, not written (it doesn't have to be written). The court heard that Rourke made a statement while still in The Smiths that 'we get 10%'. They knew they were getting 10%. They didn't make a fuss about it because if they had done they would have been kicked out the band straight away. So don't give me that shit about there not being a contract.

You should be a High Court Judge.

P.
 
Morrissey was right. He should've won. This is all just bullshit. And on top of it, there was no partnership. Isn't it? Because if you did the search on it, a "partnership" is not what these four had. Not at all. Just an observation



Kate2828

And with that submission, the case for the defence rests. Impressive.
 
There WAS a contract - verbal, not written (it doesn't have to be written). The court heard that Rourke made a statement while still in The Smiths that 'we get 10%'. They knew they were getting 10%. They didn't make a fuss about it because if they had done they would have been kicked out the band straight away. So don't give me that shit about there not being a contract.

I don't think anybody has argued that there was no contract. There was a contract that entitled all four members to 25% each.

Joyce was, "making a fuss about it," as early as January 1984, yet he wasn't kicked out of the band - straight away or otherwise. Indeed, the courts' decisions make precisely the point that Morrissey and Marr's failure to either compel Joyce to accept a mere 10% or dissolve the partnership demonstrated their acceptance of his entitlement to 25%.
 
There WAS a contract - verbal, not written (it doesn't have to be written). The court heard that Rourke made a statement while still in The Smiths that 'we get 10%'. They knew they were getting 10%. They didn't make a fuss about it because if they had done they would have been kicked out the band straight away. So don't give me that shit about there not being a contract.

Please. They knew they were getting 10% because that was the deal they had and they understood and accepted until they saw a shot at a big payday. Of course they would have been thrown out if they'd objected because the two of them were basically irrelevant to the group and could have been replaced by numerous others in a heartbeat (thus confirming that maybe even 10% was too high for them). Pull the two of them out of The Smiths and insert hundreds if not thousands of others and no one would have noticed or cared one bit as long as Marr and Morrissey were still there.
But the Legal System being what it is, just another example of two slackers staking their claim on others efforts in order to avoid ever having to again earn their way.

Instead of being grateful that they were in the right place at the right time and fell into a golden situation, Joyce and Rourke saw the opportunity to cash out, seeing the end of The Smiths as their last opportunity as it was quite unlikely they'd get that lucky again and fall in to a new group with truly talented members for them to leech off. In retrospect we can say they were part of The Smiths so they matter but deep down they don't and never did and never will again.

But as many others have done before them, they played the Legal System Roulette and won. So for that we must tip our hat and sing a rousing chorus of
"Slackers of the World Unite and Take Over!"
 
There WAS a contract - verbal, not written (it doesn't have to be written). The court heard that Rourke made a statement while still in The Smiths that 'we get 10%'. They knew they were getting 10%. They didn't make a fuss about it because if they had done they would have been kicked out the band straight away. So don't give me that shit about there not being a contract.

The saddest part of all this is this is how Joyce and his "management" spend their days. Haunting the disavowed website of his former meal ticket trying desperately to defend his name against a onslaught of anonymous criticism. Having no real job or purpose this is what is left for him, to scour the web for mentions of his name to prove to himself (certainly no one else cares) that he matters or once did anyway.
Sad. Pathetic.
 
Please. They knew they were getting 10% because that was the deal they had and they understood and accepted until they saw a shot at a big payday. Of course they would have been thrown out if they'd objected because the two of them were basically irrelevant to the group and could have been replaced by numerous others in a heartbeat (thus confirming that maybe even 10% was too high for them). Pull the two of them out of The Smiths and insert hundreds if not thousands of others and no one would have noticed or cared one bit as long as Marr and Morrissey were still there.
But the Legal System being what it is, just another example of two slackers staking their claim on others efforts in order to avoid ever having to again earn their way.

Instead of being grateful that they were in the right place at the right time and fell into a golden situation, Joyce and Rourke saw the opportunity to cash out, seeing the end of The Smiths as their last opportunity as it was quite unlikely they'd get that lucky again and fall in to a new group with truly talented members for them to leech off. In retrospect we can say they were part of The Smiths so they matter but deep down they don't and never did and never will again.

But as many others have done before them, they played the Legal System Roulette and won. So for that we must tip our hat and sing a rousing chorus of
"Slackers of the World Unite and Take Over!"

If this wasn't so well written I'd have had to have called you an idiot, beautifully written post, perfect grammar, spelling, even the bounce in the way it reads is impressive, unfortunately the contents is lacking some what, in particular everything between "Please" and "over!" is bollocks.
 
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