U2 obviously are doing something right. They have so many fans who love their sound and they obviously know how to play the fame game and work with labels efficiently. It all seems to easy. I find them about as exciting as REM. I don't hate them and I don't love them. I just don't feel anything, but on the other hand I can see why other people are into them.
They were very influential for me when I was younger (as was REM). I really can't get into them in the present. I overheard my wife listening to the new album since it automatically downloaded to her Apple products. I wasn't too keen on it but to each his own. For an example of the U2 that I really loved, the album The Unforgettable Fire did it for me. I also loved the three Steve Lillywhite productions that preceded it. This one just had an added atmosphere to the sound that had not been present before.
Witnessing my own decline in appreciation of U2, I can certainly respect and understand those who have parted favor with Morrissey's recent work. In fact, looking at this objectively has caused me to speculate on my own progression as a fan. There are a few bands I have fallen out with.
Further off the topic, but I'm hoping New Order will not be among those with their Mute signing and pending production. I'm also still "in love" with Erasure, even though they have switched to club music. I'm a huge fan of synthesizers and what Vince Clarke has done on the new album, The Violet Flame -- releasing next week, is 99% analog synth. But I know there are many fans that cannot follow the transition.
One reason I do not criticize Morrissey's falling out with labels is that I believe there is a sweet-spot for being an artist and being a "success". I fear that too much success inevitably produces bad, non-artistic music. It's all in the eye of the beholder. But when I witness the spectacle that is the U2 promotional scheme, I can't reconcile it with the music. And the music doesn't sound that inspired to me either. Some artists may be at their best when they are poor and struggling and at their worst when they are a monolyth. And perhaps there is a sweet spot somewhere there in the middle. I hope Morrissey continues to push up the middle. If U2 wanted to release this in a humble way, they could have done a Radiohead and just put it out on their site for free with the option to donate, without the 600 million dollar payoff.