I think there's reason Morrissey will not reform The Smiths. As wonderful as the passing thought its that one could go to a concert and hear all the 80's hits that formed our gentle young psyches, (doesn't he play them all now anyway?

) I think it's at least a few parts symbolic that he will never reform them as evidenced by a deeper reading of I Know It's Over compared to Mama Lay Softly on the Riverbed.

(I hate writing these things. Nobody reads them or cares and I'm not a writer!!)
Okay, I will make this as quick as possible. First it's important to listen phonetically to the chorus of I Know It's Over. "Oh mother I can feel the soil falling over my head." Listening closely one can hear "Oh mother I can feel this oil falling over my head." The oil is an unguent. It's described in the Penguin Book of Symbols as:
So love is natural and real, but not for you and I my love, the you and I referring to Morrissey and his sad veiled bride. Some refer to her as Magdalene. His longing for his bride sets the stage for a lifetime of work that is fueled by his dilemma of bearing an invisible crown symbolized as an anointed feeling over his head. It's the untouched by no mortal part that he finds the most difficult to deal with.
So today, he sings about something squeezing his head and rattles off a list of drugs. That feeling is not perscriptions, per se, but Rx. Rex. King. Crown. He's the anointed one. But he embraces and accepts this state, he doesn't boohoo about it. That is because he is fully realized. Elizabeth Haich writes of the Lightening Struck Tower in her book Wisdom of the Tarot:
In short, he was protected by God because of his invisible crown. He is King.
Now the importance of this realization, this consciousness, plays a key roll in the voice singing to his then sad veiled bride who has matured into his Mama. (Think MILF Island.) With his self finally empowered to not be the untouched victim but rather proud groom to his bride, he vows to slit throats if necessary. No longer bullied, he feels safe and sheltered in his grave, his grave being "this oil" that's fallen over his head. It is a new Morrissey that is in command. For this reason I feel for him to reform The Smiths is a symbolic step backwards in his quest to utilize the stage as a medium for delivering the message of his self-awareness. He is of course nostalgic of the days of his trials, but he's not going to croon about loneliness forever.
[/symbollic rant]