Pittsburgh postponed
As posted on the tour discussion board: Tonights show in Pittsburgh has been postponed. Morrissey has been suffering from back spasms and migrane for the last few days. This has caused him so much pain today that he has regretfully decided that he is unable to perform. More news will be posted here as it becomes available. John Wynne. Production Manager. Morrissey.
From Brian:
At 6:30pm
an announcement was made that the show would be cancelled
because Morrissey was suffering from back spasms. We were
told the show may be rescheduled and to call Ticketmaster
for more information.
Comments / Notes (58)
"Keeping up with the Smith" - Pittsburgh Post Gazette preview
Thanks to Leigh for
transcribing the preview for today's concert in
Pittsburgh:
From
Fri, February 11, 2000 Pittsburgh Post Gazette:
"Keeping
up with the Smith"
The last time Morrissey reared his head in
Pittsburgh, back in the early 90's he never actually
made it to the stage. The crowd walking up to the
I.C. Light Amphitheatre was greeted with news that
the show was canceled (causing mild Panic on the
streets of Pittsburgh). The stories ranged from the
petulant Morrissey not liking the venue to the stage
not being safe because of a sudden rain storm.
Now, the gloomy icon who fronted the late, great
Smiths is coming back and the reaction has been so
strong that Thursday's show had to be moved from
Metropol to the Palumbo Center.
But what can fans of "The Moz" expect?
According to a review last week in the Seattle
Times, the 40-year-old pop star, who hasn't released
new material since 1997, didn't rise to his occasion.
Mark Rahner writes that a "bored-looking
Morrissey...was apparently hot, tired, uncharismatic."
Worst yet, "the Mope-meister was too bored to
be bothered with a few of the songs that built his
fan base in the first place."
The Times review drew a mixed reaction from fans on
a Morrissey fan Web site (www.morrissey-solo.com):
* "The reporter is right, he looks bored!"
* "This writer is an idiot...For those of you
who are seeing him for the first time and are
worried, don't be. He still puts on a great show
even though he throws a few b-sides.
Unpredictability is good."
* "Morrissey is proving that a dead hero is a
good hero."
* The Smiths are dead!...Where have you been Mr.
Seattle sad excuse of a loser reviewer? Just cos
he's not playing songs YOU'RE not familiar with,
doesn't mean you have to act so pissy."
If you are game, tickets are $25.
Related item: "Bored-looking
Morrissey turns in lackluster show at Paramount"
- Seattle Times review (Feb. 8)
Comments / Notes (8)
"Back in the land of Moz" - Hamilton review at canoe (Feb. 17)
Link to article at
canoe anonymously sent:
Back
in the land of Moz
By KIERAN GRANT --
Toronto Sun
----------------------------------------
MORRISSEY
Hamilton Place, Hamilton-Ontario
Wednesday, February 16, 2000
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HAMILTON -- "Call me morbid, call me
pale."
Those were Morrissey's own lyrical instructions at
Hamilton Place last night during his rendition of
Half A Person, a favourite tune from his former
group The Smiths.
And yes, the British singer's image as a
self-deprecating, self-absorbed and terminally
unloved spokesperson for sexually repressed
bookworms of the world was indeed intact.
But that was just half the story for the British
singer's much-anticipated -- by his southern Ontario
chapter of cult admirers, anyway -- return.
Because if maudlin Moz is still morbid, pale and
unlovable, he's also a sassy showman, a coy crooner
who's got audience manipulation down to a science.
That's not to say there wasn't a hint of self-parody
in last night's performance.
With the almost holy pop legacy of The Smiths -- the
most original and enduring outfit '80s Britain had
to offer -- and a solo career that has varied wildly
in quality, the 40-year-old Steven Patrick Morrissey
drew a seasoned collection of twenty- to
thirtysomething supporters who knew all the moves:
Always stylish and clean-cut, many still dress like
him; bouquets are still proferred at stage front;
fans still clamber on stage and reach for the Mozzer
before being spirited away, rather violently, by
security.
He was game to play along, of course, and while the
unexpected presence of some trash-talkers down front
clearly bemused him, he spent most of the show
fishing the crowd for handshakes and the odd
shirt-tail tug.
(That said, there was a weird twist before his set
when, as duffle-coated Mozniks made their way past
the "No Moshing" signs staff had posted at
the entrances, a very obvious punch-up broke out
between two young, female fans.)
What's most odd about Morrissey is how choppy his
live sets can still be. Even with much of the set
list dating back at least 10 or 12 years, there were
times his band seemed on the verge of collapse.
Chalk it up to stamina or interest, but after a
strong, bright opening that included the songs A
Swallow On My Neck, Ouija Board, Ouija Board, Is It
Really So Strange? and November Spawned A Monster,
the quintet switched to autopilot.
They apologized for the sloppy middle section with
favourites Alma Matters, Last Night I Dreamt That
Somebody Loved Me, Shoplifters Of The World Unite
and a melodramatic reading of The Smiths' classic
Meat Is Murder -- the song that launchd a thousand
vegetarians. But at a mere 70 minutes in length, the
show didn't need a trim as much as a new selection
of tunes
With a new album supposedly in the works but no
record deal to speak of, this may have been the best
chance Toronto fans had to see Morrissey for a
while.
Considering the dismal episode at Massey Hall two
years back, where the singer was mistaken for a fan
by security and ejected through a stage door during
his encore, it was undoubtedly a better night for
all involved
A quick huzzah for whoever decided to put Toronto's
Hawksley Workman in last night's opening slot.
The quirk-witted singer won over Morrissey's
characteristically open-minded crowd, and even may
have even showed the headliner a thing or two about
a fresh sound.
Comments / Notes (9)
Smiths in Wynn Smith collection
From Tami:
I came
across photos from a fashion show by designer Wynn
Smith. His line is called "wink" and,
for fall, his inspiration was American Gothic and
The Smiths. Tee shirts and other items of clothing
were printed with lines such as "Bigmouth
Strikes Again".
Here is a link
to the page.
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Text:
wink
friday, february 11th
"American Gothic" was the theme for
Wink's '80s-inspired collection, which
included direct references to such pop-culture
icons as The Smiths. T-shirts and leggings
were inscribed with "Bigmouth Strikes
Again" in bold letters; dark, loose
coats, reminiscent of Ally Sheedy in The
Breakfast Clubwere worn with zip pants and
flat ankle boots. There were also pleated
skirts, low-waisted sweatshirt dresses and
satin-cuffed jeans—ideal urban-combat gear.
The show ended with a navy-washed strapless
dress—the one that the bad, pretty girl, who
in junior high smoked in between classes,
would have worn to the prom.
BY
ARMAND LIMNANDER
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Comments / Notes (4)
Johnny Marr - new series of Q&A now up on jmarr.com
From Bernard: Johnny Marr news, A new series of Q+A is now up! This is the first part of the February Q+A so check the site for even more answers in the very near future! We also have a special request for all you people posting questions: please do read the previous questions and answers on the site before sending new questions, questions that have been answered before won't be answered again and it sure saves us and Johnny a lot of time!
Comments / Notes (4)
Toronto Smiths / Morrissey fest, Mar. 25
From DJ Lazarus:
The
Smiths/Morrissey Fest Toronto will be happening
March 25 2000
cover $4 before 11pm $6 thereafter
There will be a Morrissey look-alike contest with
prizes. This will be a great fan night with over 400
people in attendance.
visit www.djlazarus.com
for location and more info
Comments / Notes (2)
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* return to Morrissey-solo |