Academic conference on The Smiths (Manchester - April 8, 9 2005); call for papers
posted by davidt on Thursday December 23 2004, @12:00PM

Mike Yates writes:

The Manchester Institute of Popular Culture are hosting a two day symposium on The Smiths next April. Link posted on the message Board by Come Back To Cavan here

From the MIPC site

"The Smiths have had a singular impact on popular culture. They looked like nobody else and sounded like nobody else. The music of The Smiths contained an emotional depth and a technical virtuosity that moved people in a way that almost no other band has managed before or since. In spite of their enormous cultural significance and personal resonance, The Smiths have yet to receive sustained academic attention. To date, there have been remarkably few serious examinations of the band. The purpose of this symposium is to put that right. The event seeks to draw together academics and others who wish to critically examine what The Smiths meant and continue to mean almost two decades after their untimely demise. Among the themes that we hope to address are: gender and sexuality, race and nationality, a sense of place, the imagination of class, the significance of Manchester in popular music, the aesthetics of the band, fan cultures and musical innovation."

Why Pamper Life's Complexities?

---
chelsea smiler also writes:

Here's a call for papers for a symposium addressing the apparent lack of academic research on The Smiths in Manchester next year. . .some of these things are excruciating when academics grab the wrong end of the stick and then use it to beat the life out of their subject but if we're lucky there might be some good contributors.

Why Pamper Life's Complexities?

A Symposium on The Smiths

Manchester Institute of Popular Culture

Manchester Metropolitan University

April 8th and 9th 2005

The Smiths have had a singular impact on popular culture. They looked like nobody else and sounded like nobody else. The music of The Smiths contained an emotional depth and a technical virtuosity that moved people in a way that almost no other band has managed before or since. In spite of their enormous cultural significance and personal resonance, The Smiths have yet to receive sustained academic attention. To date, there have been remarkably few serious examinations of the band. The purpose of this symposium is to put that right. The event seeks to draw together academics and others who wish to critically examine what The Smiths meant and continue to mean almost two decades after their untimely demise. Among the themes that we hope to address are: gender and sexuality, race and nationality, a sense of place, the imagination of class, the significance of Manchester in popular music, the aesthetics of the band, fan cultures and musical innovation.

Abstracts for proposed conference papers should be no longer than 200 words and should be sent (via email) no later than January 10th 2005 to Dr Fergus Campbell, School of Historical Studies, University of Newcastle Upon Tyne, F.J.M.Campbell@newcastle.ac.uk; Dr Sean Campbell, Department of Communication and Media Studies, APU, Cambridge, s.campbell@apu.ac.uk, and Dr Colin Coulter, Department of Sociology, National University of Ireland, Maynooth, Ireland, colin.coulter@may.ie.

 
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    Academic conference on The Smiths (Manchester - April 8, 9 2005); call for papers | Log in/Create an Account | Top | 17 comments | Search Discussion
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    Smithism/Smithist (Score:1)
    I think this is really cool -- honestly, it's about time. There is so much depth and brilliance in the music of The Smiths; of all musical entities deserving academic attention, The Smiths certainly rank with The Beatles and Bowie. I only wish the symposium was in Southern California. One day will the world fully wake up to the beauty of The Smiths?
    DavidBeauy <davidbeauy@yahoo.com> -- Thursday December 23 2004, @06:25PM (#144800)
    (User #6009 Info | http://dhost.info/beau/ )
    "When thirteen years old Who dyed his hair gold ? Oh, I know very well, I don't need to be told"
      Oh well, we'll never learn. (Score:0)
      Please, please, please let this be a joke. The only solace I can take from this is that it is being held in an institution I've never heard of and not at a university.

      This is born of the same lazy pseudo-inellectualism that spawns dissertations on David Beckham. The point is that if you're going to submit a paper at something like this, what value is your contribution if you're a fan? How can you judge their impact on modern culture and make a worthy contribution to its evaluation if you've spent your life listening to them non-stop and posting on boards like this?

      If you write a thesis on Titian, you don't have to be a fan of his for it to be worth reading. Honestly, who thinks anyone is going to be at this symposium that doesn't like the Smiths? No-one. Which renders it meaningless as a serious academic event.
      finethen -- Friday December 24 2004, @02:49AM (#144846)
      (User #12339 Info)
      Strange... (Score:0)
      how The Smiths were championed from very early on by people who would have very little in common on a day-to-day basis with. I'm talking about the student population here. The Smiths were without a single doubt a very working class origin band, they came from Irish immigrant families who were not educated and did manual work (I don't mean that in a derogatory way, but it's true). I never understood how middle class students could even attempt to identify with what Moz was singing about because the humdrum and misery of having nothing and the desperation of no hope seems to be deeply ingrained into a massive proportion of the lyrics, it's the seed that creates Mozzer's anger and the emotion in the words and very much in the sad music of Marr and also extends very far into the imagery on the record sleeves and the places where the Smiths had photo shoots. For me, that's is where The Smiths were coming from. Most of these people would not have given Moz the time of day if he had not become what he did, you may say that this is crap but have a go at trying to integrate or make friends with students when you work in a warehouse and live on a council estate (just like Mozzer's dad did when he came here). My point is that University bigwigs are not qualified to pass comment on the subject. Simple.
      Anonymous -- Friday December 24 2004, @07:06AM (#144871)
      • Re:Strange... by Anonymous (Score:0) Friday December 24 2004, @08:24AM
        • Re:Strange... by Anonymous (Score:0) Friday December 24 2004, @04:47PM
        • Re:Strange... by Anonymous (Score:0) Friday December 24 2004, @08:28AM
          • Re:Strange... by Anonymous (Score:0) Friday December 24 2004, @08:49AM
          Oh brother! (Score:2, Interesting)
          This particular post is so lengthy and convoluted I simply cannot bring myself to read it in its entirety. It's just two steps away from one of those Courtney Love rants against the record industry (remember those?).

          I believe Michael Bracewell (the old hog) had a go at an academic treatise on Morrissey, which, frankly, left us all somewhat bewildered and bemused.

          Like Dietrich once said, "You cannot intellectualise passion...it's just not sexy."
          Ramon -- Friday December 24 2004, @09:20AM (#144892)
          (User #2577 Info)
          "I'm all over you...like a vulture, like impending death"
            Lazy academia (Score:0)
            There's always someone, somewhere, with a Big Nose, who knows....
            Anonymous -- Saturday December 25 2004, @12:21AM (#144959)


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