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| "The Smiths And Beyond" exhibition (Mar. 29 - Apr. 18, London); press coverage |
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posted by davidt
on Monday April 08 2002, @08:15AM
Martin writes: I enclose the invite for yesterday's private view of Kevin Cummins Morrissey photos (PDF, 109k). There were lots of photos of Morrissey in Japan in 1991 at the show but very few of the Smiths as a group - and a few of Electronic as well! It's still good to see such big, good quality photos of Morrissey in a gallery though, especially if they have the Smiths on the stereo like they did last night. And among the many people there were Penny from British Big Brother series two, and Kylie Minogue's boyfriend James Gooding - who knew they were Morrissey fans?
---
Gialloblu also writes: There is a great review with a fantastic photograph from the Kevin Cummins Smiths and Beyond show in London, in this Sunday's Observer newspaper:Look back in angst - Sean O'Hagan (The Observer, Apr. 7, 2002)
So English, so timeless. A retrospective show captures the melancholic appeal of The Smiths
The photo is of Moz with the handwritten sign 'Penis mightier than the sword' behind him.
I went to the show on Saturday. It is wonderful. There are pictures for sale and beautiful postcards. I stayed for an hour and loved every minute. I think I'll probably go again... ---
Steve also writes: This one's from the Metro (London's free newspaper) this morning.
Its written by Andrew Williams and is a review of the
Morrissey photos' exhibition. It received three stars
out of five. I've just typed it straight from the
paper:
Beyond the era of Moz
PHOTOGRAPHY REVIEW
The Smiths And Beyond
Veteran rock photographer Kevin Cummins, who started
his career in 1976 Manchester, here presents
highlights from his book The Smiths And Beyond. The
exhibition, however, doesn't provide the exhaustive
account the title might suggest.
The first section consists of Smiths pictures taken in
1983 in Tatton Park; the second is from Morrissey's
1991 solo world tour. The latter eclipses the former,
with pictures of guitarist Johnny Marr's post-Smiths
collaborations with New Order's Bernard Sumner and The
Cult's Billy Duffy providing a surplus footnote.
As Morrissey was the The Smiths' most charismatic
element by several light years, this division is no
bad thing. The clichéd image of The Smiths frontman
with his geeky hearing aid, the NHS specs and
daffodils is eschewed by Cummins's shots of Morrissey
in repose (on his back in parks, on steps, over the
stage monitors mid-gig) gazing into the lens like his
pin-up heroes Terence Stamp or Diana Dors.
However, these prove ultimately blandly repetitive so
the 'fans' section - featuring throngs of Dublin
hair-do-a-likes and swathes of Japanese girls in
pristine Moz T-Shirts carrying gladioli - comes as a
welcome surprise, if only as a reminder that the now
record dealless recluse was once internationally
adored. The exhibition fails to throw new light on
familiar subject matter, although pictures of
Morrissey in his youth make it a must for dedicated
Mozophiles, if not for anyone else.
Until April 21, Proud Central
5 Buckingham Street WC2,
Mon to Thu 10am to 7pm, Fri to Sun 11am to 6pm
£3, £2 concs.
Tel: 020 7839 4942
Tube: Embankment
Same review at "This is London" - link from Shawn.
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